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"With the fate of the free world hanging in the balance, women pilots went aloft to serve their nation. . . . A soaring tale in which, at long last, these daring World War II pilots gain the credit they deserve."--Liza Mundy, New York Times bestselling author of Code Girls "A powerful story of reinvention, community and ingenuity born out of global upheaval."--Newsday When the Japanese attacked Pearl Harbor in December 1941, Cornelia Fort was already in the air. At twenty-two, Fort had escaped Nashville's debutante scene for a fresh start as a flight instructor in Hawaii. She and her student were in the middle of their lesson when the bombs began to fall, and they barely made it back to ground that morning. Still, when the U.S. Army Air Forces put out a call for women pilots to aid the war effort, Fort was one of the first to respond. She became one of just over 1,100 women from across the nation to make it through the Army's rigorous selection process and earn her silver wings. The brainchild of trailblazing pilots Nancy Love and Jacqueline Cochran, the Women Airforce Service Pilots (WASP) gave women like Fort a chance to serve their country--and to prove that women aviators were just as skilled as men. While not authorized to serve in combat, the WASP helped train male pilots for service abroad, and ferried bombers and pursuits across the country. Thirty-eight WASP would not survive the war. But even taking into account these tragic losses, Love and Cochran's social experiment seemed to be a resounding success--until, with the tides of war turning, Congress clipped the women's wings. The program was disbanded, the women sent home. But the bonds they'd forged never failed, and over the next few decades they came together to fight for recognition as the military veterans they were--and for their place in history.

Women run wind tunnel experiments, direct air traffic, and fabricate airplanes. American women have been involved with flight from the beginning, but until 1940, most people believed women could not fly, that Amelia Earhart was an exception to the rule. World War II changed everything. "It is on the record thatwomen can fly as well as men," stated General Henry H. Arnold, commanding general of the Army Air Forces. The question became "Should women fly?" Deborah G. Douglas tells the story of this ongoing debate and its impact on American history. From Jackie Cochran, whose perseverance led to the formation of the Women's Army Service Pilots (WASP) during World War II to the recent achievements of Jeannie Flynn, the Air Force's first woman fighter pilot and Eileen Collins, NASA's first woman shuttle commander, Douglas introduces a host of determined women who overcame prejudice and became military fliers, airline pilots, and air and space engineers. Not forgotten are stories of flight attendants, air traffic controllers, and mechanics. American Women and Flight since 1940 is a revised and expanded edition of a Smithsonian National Air and Space Museum reference work. Long considered the single best reference work in the field, this new edition contains extensive new illustrations and a comprehensive bibliography.

The camera is some sixty years older than the airplane, but both came of age together; the one there to witness the other. The Legacy of Flight pays tribute to both, capturing instants, ordinary and momentous, that illuminate the history of flight. Witness men struggling to hold down John Steiner's balloon as he prepares for a wild and stormy flight over (and into) Lake Erie. Watch the Wright brothers testing their glider at Kitty Hawk before turning skeptics into believers as they demonstrate their new invention. Sit on the grass with World War I aircrews awaiting the call to duty. Stand beside the men and women who made the machines in war and peace, loaded and unloaded them, maintained them and flew them too. Meet a young air mail pilot named Charles Lindbergh, wing-walk with barnstormers, and marvel at the streamlined beauty of Amelia Earhart's Lockheed Electra airplane and her Cord Phaeton automobile. Observe Robert Goddard experimenting with the world's first liquid-fuel rocket. Experience World War II with observers perched on London rooftops, with the crews on the decks of aircraft carriers, with the gunners and navigators, with the men and women who risked their lives. Then watch as the war ends and the Enola Gay touches down, back from Hiroshima. As peace returns fly into the wilderness with bush pilots, board a Constellation airliner, go supersonic on the Concorde. Cheer on racer Betty Skelton and break speed and altitude records with the X-men. Accompany astronauts and cosmonauts in their space capsules and space shuttles. Applaud the modern-day record breakers, the latter-day Wrights, Lindberghs, and Earharts who now inspire us. David Romanowski and Melissa Keiser guide us through the history of flight in this amazing selection of photographs expertly culled from one of the world's greatest collections. Here then is The Legacy of Flight, a virtual treasure house of aerial adventure. The camera is some sixty years older than the airplane, but both came of age together; the one there to witness the other. The Legacy of Flight pays tribute to both, capturing instants, ordinary and momentous, that illuminate the history of flight. Witness men struggling to hold down John Steiner's balloon as he prepares for a wild and stormy flight over (and into) Lake Erie. Watch the Wright brothers testing their glider at Kitty Hawk before turning skeptics into believers as they demonstrate their new invention. Sit on the grass with World War I aircrews awaiting the call to duty. Stand beside the men and women who made the machines in war and peace, loaded and unloaded them, maintained them and flew them too. Meet a young air mail pilot named Charles Lindbergh, wing-walk with barnstormers, and marvel at the streamlined beauty of Amelia Earhart's Lockheed Electra airplane and her Cord Phaeton automobile. Observe Robert Goddard experimenting with the world's first liquid-fuel rocket. Experience World War II with observers perched on London rooftops, with the crews on the decks of aircraft carriers, with the gunners and navigators, with the men and women who risked their lives. Then watch as the war ends and the Enola Gay touches down, back from Hiroshima. As peace returns fly into the wilderness with bush pilots, board a Constellation airliner, go supersonic on the Concorde. Cheer on racer Betty Skelton and break speed and altitude records with the X-men. Accompany astronauts and cosmonauts in their space capsules and space shuttles. Applaud the modern-day record breakers, the latter-day Wrights, Lindberghs, and Earharts who now inspire us. David Romanowski and Melissa Keiser guide us through the history of flight in this amazing selection of photographs expertly culled from one of the world's greatest collections. Here then is The Legacy of Flight, a virtual treasure house of aerial adventure.

This book commemorates Wichita's role as Air Capital of the World. It takes readers from the early birds and barnstormers to the pioneers and entrepreneurs who established dozens of aircraft and associated factories in the 1920s. The story continues with the founding of Cessna, Beechcraft and Stearman (which became Boeing Wichita, then Spirit AeroSystems) and the massive build-up during World War II. Robust post-war growth got another boost when Bill Lear came to town and launched the business jet revolution with his Learjet. Today Wichita remains at the center of global aviation design and manufacturing with Textron Aviation, Spirit AeroSystems, Bombardier Learjet, Airbus and many dozens of smaller aviation manufacturers, suppliers and support organizations.What made Wichita the Air Capital? Flat prairies resembled one enormous landing field. Southwesterly winds added extra thrust to get and stay aloft. Farming and small manufacturing provided a legion of imaginative, industrious problem-solvers. Local boosters latched onto and promoted anything that flew. The city's central location provided an ideal refueling stop for coast-to-coast airmail routes. And oil generated a class of savvy, starry-eyed entrepreneurs who both used aircraft and had money to invest. Wichita brought it all together. The people. The promise. The planes.On Sept. 2, 1911, Albin Longren became the first person to build and fly an airplane in Kansas. His pusher-type biplane lifted off from a hayfield with a four-gallon gas tank and "flight instruments" that consisted of a pocket watch and barometer. The first plane built in Wichita rolled out of production in 1917, when Clyde Cessna assembled his Comet. Wichita's first commercial aircraft, the Swallow, came from the E.M. Laird Airplane Co. in 1920. By 1928, Wichita was general aviation's manufacturing grand central, producing 120 airplanes a week - a quarter of all U.S. output. A Chamber of Commerce Air Capital logo contest celebrated the city's 16 aircraft manufacturers, six aircraft engine factories, 11 airports and dozen flying schools. Wichita produces more airplanes - almost 300,000 to date - and offers more skilled aviation workers than any other city. Aviation forms Wichita's heritage and future.

The dream of flight is one of the oldest in human history. We read about it in ancient Greek mythology and visualize it through Leonardo da Vinci's sketches of flying machines. The Book of Flight traces the remarkable story of the pioneers, inventors, and daring pilots who turned that dream into a reality. Based on the outstanding collections of the National Air and Space Museum, this handsome book brings to life milestones in flight history: the development of ballooning; the earliest human gliders; the Wright Brothers' first sustained flights; Charles Lindbergh's solo trip across the Atlantic; Amelia Earhart's courageous flights; Chuck Yeager's blast through the sound barrier; the Apollo astronauts' first steps onto the moon; and the building of the International Space Station. Richly illustrated, this book takes you on an exciting journey through time. You'll watch early inventors at work, thrill to the first air races and the dogfights of World War I and II, peer inside a flying boat of the 1930s, and witness the horrific explosion of the airship Hindenburg. You'll ride in the DC-3, marvel at the technology of the stealth fighter, and experience life aboard the Space Shuttle. As you turn the pages you'll meet barnstormers and ballonists, stunt flyers and flying aces, and rocket scientists and astronauts. More than 350 photographs and illustrations portray the development of aviation and space flight. Diagrams explain concepts such as jet propulsion and supersonic flight and depict the workings of rockets and other devices. A comprehensive glossary provides easy-to-understand explanations of technical terms. The National Air and Space Museum in Washington, DC, with more than eight million visitors annually, is home to the world's most famous collection of historical aircraft, rockets, and space vehicles.

Colin Powell once observed that "a dream doesn't become reality through magic; it takes sweat, determination, and hard work." This sentiment is mirrored dramatically in the story of African Americans in aerospace history. The invention of the airplane in the first decade of the twentieth century sparked a revolution in modern technology. Aviation in the popular mind became associated with adventure and heroism. For African Americans, however, this new realm of human flight remained off-limits, a consequence of racial discrimination. Many African Americans displayed a keen interest in the new air age, but found themselves routinely barred from gaining training as pilots or mechanics. Beginning in the 1920s, a small and widely scattered group of black air enthusiasts challenged this prevailing pattern of racial discrimination. With no small amount of effort--and against formidable odds--they gained their pilot licenses and acquired the technical skills to become aircraft mechanics. Over the course of the twentieth century and into the twenty-first, African Americans have expanded their participation in both military and civilian aviation and space flight, from the early pioneers and barnstormers through the Tuskegee airmen to Shuttle astronauts. Featuring approximately two hundred historic and contemporary photographs and a lively narrative that spans eight decades of U.S. history, Black Wings offers a compelling overview of this extraordinary and inspiring saga.

Most people know the story of Wilbur and Orville Wright's dramatic first flights on the beaches of the North Carolina coast in 1903. Between those historic rides and Chuck Yeager's famous breaking of the sound barrier in 1947, aviation skyrocketed in popularity. Early planes were rickety, open-cockpit contraptions, and daredevils flocked to them in droves. Many of those groundbreaking pilots lost their lives to the sky, even as they inspired others to take to the air. Not a few of these brave aviators were women. Women of the Wind: Early Women Aviators traces the exciting and often tragic stories of some of these enterprising spirits. From Harriet Quimby, the first American woman to receive a pilot's license (in 1911), to Bessie Coleman, the first black woman in flight, to the legendary Amelia Earhart, to the tragic story of Anne Morrow Lindbergh, who, with her husband, set flight records around the world despite the horrible kidnapping and murder of her baby son, these nine stories showcase the courage and determination women needed to make their way in a man's world. Each found her freedom and her happiness in the sky.

The airplane ranks as one of history's most ingenious and phenomenal inventions--and surely one of the most world-shaking. How ideas about its aerodynamics first came together and how the science and technology evolved to forge the airplane into the revolutionary machine it became is the epic story James R. Hansen tells in The Bird Is on the Wing. Just as the airplane is a defining technology of the twentieth century, aerodynamics has been the defining element of the airplane. Hansen provides an engaging, easily understandable introduction to the role of aerodynamics in the design of such historic American aircraft as the DC-3, X-1, and 747. Recognizing the impact individuals have had on the development of the field, he conveys not only a history of aircraft technology, but also a collective biography of the scientists, engineers, and designers who created the airplanes. From da Vinci, whose understanding of what it took to fly was three centuries too early for practical use, to the invention of the airplane by the Wright brothers, Hansen explores the technological matrix from which aeronautical engineering emerged. He skillfully guides the reader through the development of such critical aerodynamic concepts as streamlining, flutter, laminar-flow airfoils, the mythical "sound barrier," variable-sweep wing, supersonic cruise, blended body, and much more. Hansen's explanation of how vocabulary and specifications were developed to fill the gap between the perceptions of pilots and the system of engineers will fascinate all those interested in how human beings have used aerodynamics to move among, and even beyond, birds on the wing.

Up to and during the First World War, the Royal Navy was at the forefront of developments in aviation: concerned not just with the use of military aircraft to defend the fleet, but also securing the homeland against Zeppelin raiders and undertaking tactical air strikes into enemy territory. With the airplane a totally new and revolutionary weapon, the work of several experimental airfields and seaplane stations became crucial to the success of these operations. Taking the lead role were Felixstowe and the Isle of Grain, where work on the development of new aircraft and aerial weapons was handled, alongside groundbreaking advances in navigational systems, air-to-ground radio communication, and deck-board ship landings. These two air stations (as well as others with a more minor role) witnessed a huge scale of expenditure and the assembly of an elite group of experts and hotshot pilots who, in pushing the envelope to the extreme, sometimes sacrificed their own lives. The work of these experimental stations has been more or less forgotten, a result of the Royal Naval Air Service having been subsumed into the Royal Air Force, and the subsequent emphasis on the airplane as a weapon of land warfare. In this First World War anniversary period, it is a story that needs telling.

We can all be heroes. That's the inspiring message of this lively, collectible picture book biography series from New York Times bestselling author Brad Meltzer.   "Kids always search for heroes, so we might as well have a say in it," Brad Meltzer realized, and so he envisioned this friendly, fun approach to biography - for his own kids, and for yours. Each book tells the story of one of America's icons in an entertaining, conversational way that works well for the youngest nonfiction readers, those who aren't quite ready for the Who Was series. Each book focuses on a particular character trait that made that role model heroic. For example, Amelia Earhart refused to accept no for an answer; she dared to do what no one had ever done before, and became the first woman to fly a plane all the way across the Atlantic Ocean. This book follows her from childhood to her first flying lessons and onward to her multi-record-breaking career as a pilot.   This engaging series is the perfect way to bring American history to life for young children, and to inspire them to strive and dream.

Comprehensive in scope and engaging in tone, this book from one of today's foremost aviation experts documents the story of flight from the "flying machines" of the Middle Ages to the most advanced inventions of the twenty-first century. Packed with photographs and technical information, each of the book's 25 chapters is dedicated to a particular event or type of aircraft, with descriptions of its features, its different models, and its operational history. From the earliest endeavors by such forward thinkers as Leonardo da Vinci and Clement Ader to the first forays into flight by the Wright Brothers, Louis Bleriot, Henri Farman, and Glenn Hammond Curtiss, and from dirigibles to helicopters and the Space Shuttle, the many anecdotes and accounts of the aviators themselves will stimulate the curiosity and imagination of all who have ever dreamed of discovering the freedom of the skies. Chapters devoted to World War I, World War II, the Korean War, Vietnam, the Arab-Israeli Wars, and the Gulf War and Kosovo trace the evolution of fighting aircraft and provide fresh insight into the role aviation has played in these major world events. From the first jets used in the Korean War to the superbombers of the new millennium,History of Flightdocuments the technological advances of each generation and looks ahead to the future of aviation. History buffs and aviation enthusiasts will appreciate the spectacular photography and fascinating historical perspective of this handsome book.

The Smithsonian Institution's National Air & Space Museum maintains the largest collection of air and spacecraft in the world. It is also a vital center for research into the history, science, and technology of aviation and space flight. R.G. Grant has published more than 20 books on social life and military conflict in the 20th century. His works include a biography of Winston Churchill, a history of the Berlin Wall, and a study of the bombing of Hiroshima and Nagasaki

In Aviation and Air Power in the Twentieth Century Robin Higham, regarded by many as the dean of aviation historians, presents a critical history of British, American, Soviet, German, Italian, French, Japanese, and Israeli aviation. He moves easily from theory to concrete example and back again, in the process discussing the social, economic, and political components of air power, the major wars and police actions in which aircraft have been employed, the composition of air forces, and the creation of aviation industries from the Wright brothers and the early pusher aircraft of World War I through Boeing's competition with Airbus and the development of the Eurofighter. In this precise, interpretive, and informative volume, Higham looks at everything from the roots of strategic bombing and tactical air power, to the lessons learned and unlearned during the invasion of Ethiopia, the war in China, and the Spanish Civil War, as well as the problems posed by jet aircraft in Korea and the use of Patriot missiles in the Persian Gulf. He covers anti-guerrilla operations, doctrine, industrial activities and equipment, as well as the development of commercial airlines. Turning his attention to civil aviation in the closing pages, Higham discusses the "wars" that saw Braniff fold as Continental filed for bankruptcy and Brazil's Embraer emerged as a third-world success story. He considers the rise and fall of Soviet civil aviation. He discusses the development of new aircraft and the expansion of airports such as O'Hare, which handles more than 200,000 passengers daily. Higham synthesizes a hundred years of aviation and air power into sets of principles and lessons for future generations of airmen and politicians. Like his earlier works, this book will capture the interest of scholars, students, enthusiasts, and general readers looking for a serious overview by one of the country's leading aviation historians.

The history of the birth and development of human flightthe technology that defined the twentieth century. The invention of the airplane ushered in the modern agea new era of global commerce, revolutionary technologies, and total war. Whatever the practical consequences, the sheer exhilaration of flight captured the imagination. No longer bound to the surface of the earth, humans took the first steps on a journey that would eventually carry them to other worlds. Tom Crouch weaves the people, machines, and ideas of the air age into a compelling narrative. He tells how the enthusiasm of amateurs spawned an industry that determined the rise and fall of nations. Yet this is not a tale of unalloyed progress. Moments of exaltation were tempered by bitter disappointment and stark terror. Blind alleys were the price of technical progress. In the end, there is no more fascinating cast of characters than those who wrote history in the sky. Theirs is a fascinating story of realizing an extraordinary dream and riding it. 125 illustrations.

A NEW YORK TIMES BESTSELLER "Exhilarating." --New York Times Book Review "Riveting." --People "Keith O'Brien has brought these women--mostly long-hidden and forgotten--back into the light where they belong. And he's done it with grace, sensitivity and a cinematic eye for detail that makes Fly Girls both exhilarating and heartbreaking." --USA Today The untold story of five women who fought to compete against men in the high-stakes national air races of the 1920s and 1930s -- and won   Between the world wars, no sport was more popular, or more dangerous, than airplane racing. Thousands of fans flocked to multi‑day events, and cities vied with one another to host them. The pilots themselves were hailed as dashing heroes who cheerfully stared death in the face. Well, the men were hailed. Female pilots were more often ridiculed than praised for what the press portrayed as silly efforts to horn in on a manly, and deadly, pursuit. Fly Girls recounts how a cadre of women banded together to break the original glass ceiling: the entrenched prejudice that conspired to keep them out of the sky. O'Brien weaves together the stories of five remarkable women: Florence Klingensmith, a high‑school dropout who worked for a dry cleaner in Fargo, North Dakota; Ruth Elder, an Alabama divorcee; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, who chafed at the constraints of her blue‑blood family's expectations; and Louise Thaden, the mother of two young kids who got her start selling coal in Wichita. Together, they fought for the chance to race against the men -- and in 1936 one of them would triumph in the toughest race of all.   Like Hidden Figures and Girls of Atomic City, Fly Girls celebrates a little-known slice of history in which tenacious, trail-blazing women braved all obstacles to achieve greatness.

#1 New York Times bestseller Two-time winner of the Pulitzer Prize David McCullough tells the dramatic story-behind-the-story about the courageous brothers who taught the world how to fly: Wilbur and Orville Wright. On a winter day in 1903, in the Outer Banks of North Carolina, two unknown brothers from Ohio changed history. But it would take the world some time to believe what had happened: the age of flight had begun, with the first heavier-than-air, powered machine carrying a pilot. Who were these men and how was it that they achieved what they did? David McCullough, two-time winner of the Pulitzer Prize, tells the surprising, profoundly American story of Wilbur and Orville Wright. Far more than a couple of unschooled Dayton bicycle mechanics who happened to hit on success, they were men of exceptional courage and determination, and of far-ranging intellectual interests and ceaseless curiosity, much of which they attributed to their upbringing. The house they lived in had no electricity or indoor plumbing, but there were books aplenty, supplied mainly by their preacher father, and they never stopped reading. When they worked together, no problem seemed to be insurmountable. Wilbur was unquestionably a genius. Orville had such mechanical ingenuity as few had ever seen. That they had no more than a public high school education, little money and no contacts in high places, never stopped them in their "mission" to take to the air. Nothing did, not even the self-evident reality that every time they took off in one of their contrivances, they risked being killed. In this thrilling book, master historian David McCullough draws on the immense riches of the Wright Papers, including private diaries, notebooks, scrapbooks, and more than a thousand letters from private family correspondence to tell the human side of the Wright Brothers' story, including the little-known contributions of their sister, Katharine, without whom things might well have gone differently for them.

The author recounts how he and his brother, then teenagers, piloted a plane across the U.S., and how the landmark flight drew them closer to each other and to their father, a stunt flyer.

In Aviation and Air Power in the Twentieth Century Robin Higham, regarded by many as the dean of aviation historians, presents a critical history of British, American, Soviet, German, Italian, French, Japanese, and Israeli aviation. He moves easily from theory to concrete example and back again, in the process discussing the social, economic, and political components of air power, the major wars and police actions in which aircraft have been employed, the composition of air forces, and the creation of aviation industries from the Wright brothers and the early pusher aircraft of World War I through Boeing's competition with Airbus and the development of the Eurofighter. In this precise, interpretive, and informative volume, Higham looks at everything from the roots of strategic bombing and tactical air power, to the lessons learned and unlearned during the invasion of Ethiopia, the war in China, and the Spanish Civil War, as well as the problems posed by jet aircraft in Korea and the use of Patriot missiles in the Persian Gulf. He covers anti-guerrilla operations, doctrine, industrial activities and equipment, as well as the development of commercial airlines. Turning his attention to civil aviation in the closing pages, Higham discusses the "wars" that saw Braniff fold as Continental filed for bankruptcy and Brazil's Embraer emerged as a third-world success story. He considers the rise and fall of Soviet civil aviation. He discusses the development of new aircraft and the expansion of airports such as O'Hare, which handles more than 200,000 passengers daily. Higham synthesizes a hundred years of aviation and air power into sets of principles and lessons for future generations of airmen and politicians. Like his earlier works, this book will capture the interest of scholars, students, enthusiasts, and general readers looking for a serious overview by one of the country's leading aviation historians.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Learn the latest technologies needed to pass the FAA airframe and powerplant maintenance certification! Aircraft Basic Science, Eighth Edition, is a valuable resource for students of aviation technology that provides updated information needed to prepare for an FAA airframe and powerplant maintenance certification. This expanded edition includes recent advances in technology, such as the use of composite aircraft materials, with revised examples and figures to more accurately reflect the state of the industry. For easy reference, chapters are illustrated and present specific aspects of aircraft materials, fabrication processes, maintenance tools, and federal aviation regulations. This updated edition includes: The use, inspection, and fabrication of composite structures, including honeycomb, fiberglass, and carbon fiber materials 4-page full-color insert Hypersonic flight aerodynamics as they apply to high-speed aircraft and space reentry vehicles Tilt rotor aircraft aerodynamics and design New alloys and processes used in aircraft such as powered aluminum and friction stir welding Relevant ICAO/EASA (European and international) rules and regulations including maintenance and repair organizations (MROs), the NASA safety reporting system, ATAsystems, the electronic document retrieval system, and recordkeeping systems Ground handling and safety for large, airline-style aircraft New alternative fuels under development including bio and other synthetic fuels FAA Airframe and Powerplant certification requirements needed to perform and approve aircraft maintenance

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Learn the latest technologies needed to pass the FAA airframe and powerplant maintenance certification! Aircraft Basic Science, Eighth Edition, is a valuable resource for students of aviation technology that provides updated information needed to prepare for an FAA airframe and powerplant maintenance certification. This expanded edition includes recent advances in technology, such as the use of composite aircraft materials, with revised examples and figures to more accurately reflect the state of the industry. For easy reference, chapters are illustrated and present specific aspects of aircraft materials, fabrication processes, maintenance tools, and federal aviation regulations. This updated edition includes: The use, inspection, and fabrication of composite structures, including honeycomb, fiberglass, and carbon fiber materials 4-page full-color insert Hypersonic flight aerodynamics as they apply to high-speed aircraft and space reentry vehicles Tilt rotor aircraft aerodynamics and design New alloys and processes used in aircraft such as powered aluminum and friction stir welding Relevant ICAO/EASA (European and international) rules and regulations including maintenance and repair organizations (MROs), the NASA safety reporting system, ATAsystems, the electronic document retrieval system, and recordkeeping systems Ground handling and safety for large, airline-style aircraft New alternative fuels under development including bio and other synthetic fuels FAA Airframe and Powerplant certification requirements needed to perform and approve aircraft maintenance

Best-selling author Jeffrey L. Rodengen delivers the definitive account of the general aviation leader, with a foreword by renowned golfer and Cessna pilot, Arnold Palmer. Discover the designers, leaders, innovators and events that have shaped the aviation industry. From Clyde Cessna's first flight in 1911, to the Citation X cruising at Mach .92, this extraordinary history is a valuable part of the flying experience. Throughout its distinguished history, Cessna has built a reputation for rising above the turbulence that has threatened to ground it on more than one occasion. A luxurious 9" x 11 1/4" hardcover book with 256 pages and over 300 rare photos. Individually boxed.

Commissioned in celebration of the 100th Anniversary of Powered Flight. The airplane is a system comprising aspects of aerodynamics, propulsion, flight dynamics, and structures. This book outlines the history of the technical development of the airplane. Richly illustrated, it moves the reader through time beginning with Leonardo da Vinci and forward to the present. In each chronological period, the various aspects of the synthesis of aerodynamics, propulsion, flight dynamics, and structures to the design of flying machines is described and critically evaluated.

Carter Normandy knows there's something weirdabout the neighborhood he and his family move into. Maybe it's thephysics-defying leak in the basement, or the way all the adults seem to lookdown on kids like they're scum. With the help of his new friends, Carterdiscovers a whole other world alongside his seemingly normal community-a worldfilled with terrifying monsters. A world the adults of the community alreadyknow all about. Now it's up to Carter and his friends to keep these monstersfrom crossing over into our world, or face the direconsequences! A gorgeously illustratedmystery perfect for fans of Gravity Falls with just a hint of Lovecraftianhorror.

Anya could really use a friend. But her new BFF isn't kidding about the "Forever" part . . . Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend who's been dead for a century. Falling down a well is bad enough, but Anya's normal life might actually be worse. She's embarrassed by her family, self-conscious about her body, and she's pretty much given up on fitting in at school. A new friend--even a ghost--is just what she needs. Or so she thinks. Spooky, sardonic, and secretly sincere,Anya's Ghostis a wonderfully entertaining debut from author/artist Vera Brosgol. This title has Common Core connections. Anya's Ghost is a 2011Kirkus Best Teen Books of the Year title. One ofSchool Library Journal's Best Fiction Books of 2011. One ofHorn Book's Best Fiction Books of 2011. Winner of the 2012 Eisner Award for Best Publication for Young Adults (Ages 12-17)

After losing her job at the library, Cel Walden starts working at the haunting Logan Museum as an archivist. But the job may not be the second chance she was hoping for, and she finds herself confronting her mental health, her relationships, and before long, her grasp on reality as she begins to dream of a young woman she's never met, but feels strangely drawn to. Especially after she asks Cel for help... As Cel attempts to learn more about the woman, she begins losing time, misplacing things, passing out--the job is becoming dangerous, but she can't let go of this mysterious woman. Who is she? Why is she so fixated on Cel? And does Cel have the power to save her when she's still trying to save herself?

Bone is an international publishing sensation with hundreds of thousands of loyal readers and no end in sight to its growing popularity. Now, for the first time anywhere, see the homemade comics, sketches and grand plans that set this masterpiece of literary fantasy in motion. From there, take a tour through piles of promotional art, holiday cards and pivotal storytelling moments from the revolutionary self-published years, where Bone went from "the little comic that could" to an industry leader that changed the face of comics. Finally, revel in the wonder of Bone as a complete 1300-page graphic novel, a work for the ages, filled with comedy and tragedy and adventure for generations to come.

Russian folklore icon Baba Yaga mentors a lonely teen in a wry graphic novel that balances gleefully between the modern and the timeless. Most children think twice before braving a haunted wood filled with terrifying beasties to match wits with a witch, but not Masha. Her beloved grandma taught her many things: that stories are useful, that magic is fickle, that nothing is too difficult or too dirty to clean. The fearsome witch of folklore needs an assistant, and Masha needs an adventure. She may be clever enough to enter Baba Yaga's house-on-chicken-legs, but within its walls, deceit is the rule. To earn her place, Masha must pass a series of tests, outfox a territorial bear, and make dinner for her host. No easy task, with children on the menu! Spooky and poignant, Marika McCoola's stunning debut--with richly layered art by acclaimed graphic artist Emily Carroll--is a storytelling feat and a visual feast.

The new creative team of Cameron Stewart (BATMAN AND ROBIN, SEAGUY, SEVEN SOLDIERS), Brenden Fletcher and Babs Tarr set Barbara Gordon off in a brand-new direction in BATGIRL VOL. 1! Collects BATGIRL #35-40 and a story from SECRET ORIGINS #10.

Modern society is obsessed with outward beauty. What if there was a way toguarantee you could become more and more beautiful every day? What if it was asexually transmitted disease? In the world of The Beauty, physical perfection isonly one sexual encounter away. The vast majority of the population has takenadvantage of it, but Detectives Vaughn and Foster will soon discover it comes ata terrible cost. Now, they'll have to find their way past corrupt poiticians,vengeful federal agents, and a terrifying mercenary out to collect the price ontheir heads. Collects the first six issues of the critically acclaimed, PilotSeason winning series by writer/artist JEREMY HAUN (Constantine, Batwoman) andco-writer JASON A. HURLEY.

This exhilarating graphic-novel edition of an ancient classic honors the spirit of the original as it attracts modern readers. The epic tale of the great warrior Beowulf has thrilled readers through the ages -- and now it is reinvented for a new generation with Gareth Hinds's masterful illustrations. Grendel's black blood runs thick as Beowulf defeats the monster and his hideous mother, while somber hues overcast the hero's final, fatal battle against a raging dragon. Speeches filled with courage and sadness, lightning-paced contests of muscle and will, and funeral boats burning on the fjords are all rendered in glorious and gruesome detail. Told for more than a thousand years, Beowulf's heroic saga finds a true home in this graphic-novel edition.

Shannon knows sixth grade is going to be a perfect year. She's got a spot in the in-crowd called The Group, and her best friend is their leader Jen, the most popular girl in school.But the rules are always changing, and Shannon has to scramble to keep up. She never knows which TV shows are cool, what songs to listen to, and, most importantly, which boys you're allowed to talk to. Who makes these rules anyway? And does Shannon have to follow them to stay friends with The Group?

Once known as the greatest monster hunters of all time,the Sangerye family specialized in curing the souls of those infected by hate,but those days are fading. A terrible tragedy has claimed most of the family,leaving the surviving cousins split between curing monsters and killing them.Now, with a new breed of monster loose on the streets of Harlem, the Sangeryefamily must come together, or watch the human race fall to untoldevil. Collects BITTER ROOT#1-5

Once they were heroes, but the age of heroes has long since passed. Banished from existence by a multiversal crisis, the old champions of Spiral City--Abraham Slam, Golden Gail, Colonel Weird, Madame Dragonfly, and Barbalien--now lead simple lives in an idyllic, timeless farming village from which there is no escape! But as they employ all of their super abilities to free themselves from this strange purgatory, a mysterious stranger works to bring them back into action for one last adventure! Collects Black Hammer #1-#6. The first chapter in Jeff Lemire (The Underwater Welder, The Complete Essex County, Animal Man) and Dean Ormston's (Lucifer) acclaimed series!

Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways -- from the hideously grotesque to the subtle (and concealable) -- but once you've got it, that's it. There's no turning back. As we inhabit the heads of several key characters -- some kids who have it, some who don't, some who are about to get it -- what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself -- the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin...

A new era begins for the Black Panther! MacArthur Genius and National Book Award-winning writer T-Nehisi Coates (BETWEEN THE WORLD AND ME) takes the helm, confronting T'Challa with a dramatic upheaval in Wakanda that will make leading the African nation tougher than ever before. When a superhuman terrorist group that calls itself The People sparks a violent uprising, the land famed for its incredible technology and proud warrior traditions will be thrown into turmoil. If Wakanda is to survive, it must adapt--but can its monarch, one in a long line of Black Panthers, survive the necessary change? Heavy lies the head that wears the cowl! COLLECTING: Black Panther 1-4, Fantastic Four (1961) 52

When Coraline steps through a door in her family's new house, she finds another house, strangely similar to her own (only better). At first, things seem marvelous. The food is better than at home, and the toy box is filled with fluttering wind-up angels and dinosaur skulls that crawl and rattle their teeth. But there's another mother there and another father, and they want her to stay and be their little girl. They want to change her and never let her go. Coraline will have to fight with all her wit and all the tools she can find if she is to save herself and return to her ordinary life. This beloved tale has now become a visual feast. Acclaimed artist P. CraigRussell brings Neil Gaiman's enchanting nationally bestselling children's book Coraline to new life in this gorgeously illustrated graphic novel adaptation.

The master of horror manga brings the world's greatest horror novel--Frankenstein--back to life. Junji Ito meets Mary Shelley! The master of horror manga bends all his skill into bringing the anguished and solitary monster and the fouler beast who created him with the brilliantly detailed chiaroscuro he is known for. Also included are is the Oshikiri story cycle--a high school student who lives in a decaying mansion connected to a haunted parallel world. Uncanny doppelgangers, unfortunately murdered friends, and a whole lot more are in store for him. Bonus: Ito's dog! Thrill to the adventures of Non-non Ito, an adorable Maltese!  

A page-turning adventure to the land of ghosts and back Imagine Garth Hale's surprise when he's accidentally zapped to the spirit world by Frank Gallows, a washed out ghost wrangler. Suddenly Garth finds he has powers the ghosts don't have, but he's stuck in a world run by the evil ruler of Ghostopolis, who would use Garth's new found abilities to rule the ghostly kingdom. When Garth meets Cecil, his grandfather's ghost, the pair search for a way to get Garth back home-and nearly lose hope until Frank Gallows shows up to fix his mistake.

From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile, Drama, and Sisters! Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahía de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air that blows in from the sea. As the girls explore their new home, a neighbor lets them in on a secret: There are ghosts in Bahía de la Luna. Maya is determined to meet one, but Cat wants nothing to do with them. As the time of year when ghosts reunite with their loved ones approaches, Cat must figure out how to put aside her fears for her sister's sake -- and her own. Raina Telgemeier has masterfully created a moving and insightful story about the power of family and friendship, and how it gives us the courage to do what we never thought possible.

This deluxe new edition of our most popular book ever expands the originalgraphic novel -- which tells the story of two best friends, Enid andRebecca, facing the prospect of growing up and apart -- from 80 pages intoa 288 page, behind-the-scenes tour through the making of both the classic bookand the subsequent hit film. Including a new introduction and several pages ofnew strips by Clowes, as well as over 200 pages of 'extras': theOscar-nominated screenplay by Clowes and Terry Zwigoff, dozens of pages ofnever-before-collected ephemera, including unused concept drawings, notes, movieposters, foreign edition covers, merchandise, artwork created for the movie byClowes, Sophie Crumb and the cast, and much more, all annotated by Clowes. Trulylavish, definitive and comprehensive.

The first volume of a glorious two-volume, four-color graphic novel adaptation of Neil Gaiman's #1 New York Times bestselling and Newbery Medal-winning novel The Graveyard Book, adapted by P. Craig Russell and illustrated by an extraordinary team of renowned artists. Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel. Volume One contains Chapter One through the Interlude, while Volume Two includes Chapter Six to the end.

Running the family business in the shadow of your father can be a drag,especially when you're a gravedigger and that shadow is actually your dad'soverly critical ghost. From creator KC Green's hugely popular webcomic Gunshow,Graveyard Quest follows a blue-collar skeleton and his mole buddy on theirjourney to Hell and back to retrieve his most prized possession. It's a storyabout the things we do for love, and the many mistakes we make along theway.

"Grimly enlivens the prose while retaining its power to both frighten and engage sympathy for the monster-creator Victor Frankenstein. This is a richly morose nightmare of a book, a primer for young readers on the pleasures and dangers of decadent languidness."--New York Times Book Review Gris Grimly's Frankenstein is a twisted, fresh, and utterly original full-length, full-color graphic-novel adaptation of Mary Shelley's original text, brought to life by acclaimed illustrator Gris Grimly. The first fully illustrated version to use the original 1818 text, this handsome volume is destined to capture the imagination of those new to the story as well as those who know it well. New York Times bestselling illustrator Gris Grimly has long considered Frankenstein to be one of his chief inspirations. From the bones and flesh of the original, he has cut and stitched Mary Shelley's text to his own artwork, creating something entirely new: a stunningly original remix, both classic and contemporary, sinister and seductive, heart-stopping and heartbreaking.

Cute but deadly. Powerpuff Girls on acid. Lolita Goth. Enter the unique world of Junko Mizuno's Cinderalla, a mindwarping revision of the classic fairy tale, complete with flying zombies and anemic pop stars, told with more than a touch of black humor. Psychedelic and "grotesque-cute," here's the latest brilliant pop object from one of the most promising young comics artists in Japan.

At last, the original two LEAGUE OF EXTRAORDINARY GENTLEMEN epics are collected in a single volume! In this amazingly imaginative tale, Allan Quatermain, Mina Murray, Captain Nemo, Dr. Henry Jekyll and Edward Hyde, and Hawley Griffin, the Invisible Man unite to defeat a deadly menace to London and all Britons! Then, one month later, the skies over England are filled with flaming rockets as Mars launches the first salvo of an invasion. Only our stalwart adventurers can save mother England and the Earth itself.

The world of storybook and nursery rhyme characters who live side-by-side with humans is thrown into turmoil when Rose Red's house is found in shambles and covered with her blood and suspects range from Jack of beanstalk fame to Blue Beard.

For over sixty-five years Antoine de Saint-Exupéry'sThe Little Prince has captured the hearts and minds of its readers. The whimsical story with a fairy tale touch has sold over 80 million copies in 230 languages. This exciting graphic adaptation features beautiful, new artwork by Joann Sfar. Hand-chosen by Saint-Exupéry's French publishers for his literary style and sensitivity to the original, Sfar has endeavored to recreate this beloved story, both honoring the original and stretching it to new heights. A vibrant, visual gift for longtime fans and those experiencing the story for the first time.

Stepping away for a bit from his growing and impressive body of work in the Treasury of Murder true crime series, Geary creates a fictional story around a favourite actress: Louise Brooks. Spun around her actual brief meteoric career as a smoldering film actress who popularized bangs, Geary fantasizes about her coming back to her home town of Wichita where she becomes intrigued by a murder involving a friend, a famous reclusive writer and a shady beau. Not before she gets herself in great danger will she emerge with the solution that the police fail to grasp!

Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen's investigation takes us back to Anka's life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

Fans of Noelle Stevenson's beloved and bestselling Nimona won't want to miss her brand-new moving memoir-in-pictures, The Fire Never Goes Out, featuring short essays, mini-comics, and photographs that span eight eventful years in Noelle's young adult life. Nimona is the New York Times bestselling graphic novel sensation from Noelle Stevenson, based on her beloved and critically acclaimed web comic. Kirkus says, "If you're going to read one graphic novel this year, make it this one." Nemeses! Dragons! Science! Symbolism! All these and more await in this brilliantly subversive, sharply irreverent epic from Noelle Stevenson. Featuring an exclusive epilogue not seen in the web comic, along with bonus conceptual sketches and revised pages throughout, this gorgeous full-color graphic novel has been hailed by critics and fans alike as the arrival of a "superstar" talent (NPR.org). Nimona is an impulsive young shapeshifter with a knack for villainy. Lord Ballister Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona and Lord Blackheart are about to wreak some serious havoc. Their mission: prove to the kingdom that Sir Ambrosius Goldenloin and his buddies at the Institution of Law Enforcement and Heroics aren't the heroes everyone thinks they are. But as small acts of mischief escalate into a vicious battle, Lord Blackheart realizes that Nimona's powers are as murky and mysterious as her past. And her unpredictable wild side might be more dangerous than he is willing to admit. Indies Choice Book of the Year * National Book Award Finalist * New York Times Bestseller * New York Times Notable Book * Kirkus Best Book * School Library Journal Best Book * Publishers Weekly Best Book * NPR Best Book * New York Public Library Best Book * Chicago Public Library Best Book

If you were the only living boy on the planet, what would you do? When 12-year old Erik Farrell runs away from home, he finds himself without his memory, stranded on a patchwork planet with danger lurking around every corner. Now every day is a struggle to survive. Luckily, Erik quickly makes friends like Morgan, a mermaid warrior and Thea, a teenage princess from a mysterious insect race. He'll need their help to escape the Dreaded Lord Baalikar and the evil Doctor Once and maybe, one day, find his way back home.

From Brian K. Vaughan, #1 New York Times bestselling writer of SAGA, andCliff Chiang, legendary artist of WONDER WOMAN, comes the first volume of anall-new ongoing adventure. In the early hours after Halloween of 1988,four 12-year-old newspaper delivery girls uncover the most important story ofall time. Suburban drama and otherworldly mysteries collide in this smash-hitseries about nostalgia, first jobs, and the last days of childhood. Collecting Issues #1-5 for only $9.99! "Along with Paper Girls, BrianK. Vaughan is the writer/co-creator of the graphic novels Saga, The PrIvate Eye,We Stand On Guard, Y: The Last Man, Ex Machina, Runaways, Pride of Baghdad, TheHood, and The Escapists. His work has been recognized at the Hugo, Eisner,Harvey, Shuster, Eagle, and British Fantasy Awards. BKV sometimes dabbles infilm and television work from Los Angeles, where he lives with his family andtheir loyal wiener dog Hamburger K. Vaughan. After graduating from the KubertSchool JARED K. FLETCHER began working at DC Comics as part of their newin-house lettering department. A few years later, he left to pursue hisfreelance career as the proprietor of Studio Fantabulous. He spends his longdays designing logos, books, t-shirts, art directing covers, and lettering comicbooks.CLIFF CHIANG began working in editorial for Vertigo Comics before makingthe leap into freelance illustration in 2000 and he hasn't looked back. He'sbest known for his work on Human Target, Green Arrow & Black Canary, andWonder Woman. Cliff lives and works in Brooklyn, NY. MATT WILSON has beencoloring comics since 2003, getting his start coloring for the comics coloringstudio Zylonol Studios. After a few years in the studio, Matt eventuallybranched out on his own to color titles like Phonogram, Young Avengers, Thor,Daredevil, Wonder Woman, Swamp Thing, and The Wicked + The Divine. In 2015,Matt's work earned him Eisner Award and Harvey Award nominations. "

Written by Neil Gaiman; Art by Sam Kieth, Mike Dringenberg, and Malcolm Jones, III; Painted Cover by Dave McKean A wizard attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. Fearful for his safety, the wizard kept him imprisoned in a glass bottle for decades. After his escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power. On the way, Morpheus encounters Lucifer and demons from Hell, the Justice League, and John Constantine, the Hellblazer. This book also includes the story "The Sound of Her Wings" which introduces us to the pragmatic and perky goth girl, Death.

It's Halloween night, and it's up to Scary Godmother to show one little girl just how much fun spooky can be! Meet Hannah Marie, who, with the help of Scary Godmother, stands up to her mean-spirited cousin Jimmy and her fear of monsters on her first Halloween adventure with the big kids. Later, Hannah joins forces with Orson, the vampire boy, to unravel a mystery near and dear to their hearts. Some of Scary Godmother's closest (and most frightful) pals get in on the fun too, including Bug-A-Boo, the Boozle, and Skully Pettibone. . Four of Thompson's Eisner Award-winning, fully painted children's books are collected here, in their entirety, for the first time (Scary Godmother, The Revenge of Jimmy, The Mystery Date, and The Boo Flu). This deluxe edition also features some of the earliest concept designs for this haunting and imaginative series. . Thompson's Scary Godmother series resulted in a successful stage show and two animated specials shown on Cartoon Network, Scary Godmother- Halloween Spooktakular and Scary Godmother- The Revenge of Jimmy. . "Jill Thompson's Scary Godmother is another of this comics maestro's knockout punches. Thompson delivers a series that shrugs off the censors like the dead weight they are and writes and draws directly at readers of all ages, all experience. Her work is always a delight, and much more- her craft, her precision, her delicious whimsy, all serve as a goad to the rest of us cartoonists to have as much fun as she's obviously enjoying, and to work our butts off as hard as she does. She only makes it look easy. That's the sign of a master."--Frank Miller . "A beautiful and ambitious piece of work."--Alex Ross . Eisner Award-winning series!

#1 NEW YORK TIMES BESTSELLER * NAMED ONE OF THE BEST BOOKS OF THE YEAR BY USA TODAY AND THE DAILY PLANET The highly anticipated new standalone full-color graphic novel from Bryan Lee O'Malley, author and artist of the hugely bestselling Scott Pilgrim graphic novel series Katie's got it pretty good. She's a talented young chef, she runs a successful restaurant, and she has big plans to open an even better one. Then, all at once, progress on the new location bogs down, her charming ex-boyfriend pops up, her fling with another chef goes sour, and her best waitress gets badly hurt. And just like that, Katie's life goes from pretty good to not so much. What she needs is a second chance. Everybody deserves one, after all--but they don't come easy. Luckily for Katie, a mysterious girl appears in the middle of the night with simple instructions for a do-it-yourself do-over:   1. Write your mistake 2. Ingest one mushroom 3. Go to sleep 4. Wake anew   And just like that, all the bad stuff never happened, and Katie is given another chance to get things right. She's also got a dresser drawer full of magical mushrooms--and an irresistible urge to make her life not just good, but perfect. Too bad it's against the rules. But Katie doesn't care about the rules--and she's about to discover the unintended consequences of the best intentions.   From the mind and pen behind the acclaimed Scott Pilgrim series comes a madcap new tale of existential angst, everyday obstacles, young love, and ancient spirits that's sharp-witted and tenderhearted, whimsical and wise. Praise for Seconds   "The cartoonist, best known for the Scott Pilgrim series, delivers one of the most enjoyable reads I've had all year with this magical graphic novel. I dare you to not read it all in one sitting."--Whitney Matheson, USA Today   "Seconds arrives with high expectations, and it meets them all, delivering the style and humor of [Bryan Lee] O'Malley's past works with greater emphasis on mood, detail, and complex character relationships."--The A.V. Club "Richly imagined and vibrantly drawn, Seconds is a funny, surprising, and enchanting read."--Publishers Weekly "In Seconds, Bryan Lee O'Malley plays the angst of youth against the fabric of a larger epic. In doing so, he enriches both. A great ride!"--Guillermo del Toro "Bryan Lee O'Malley's Seconds is adorable, haunting, funny, and beautiful. A perfect recipe for a great graphic novel."--Scott McCloud, author of Understanding Comics

Gene Luen Yang is the National Ambassador for Young People's Literature and is a MacArthur Fellow, a recipient of what's popularly known as the MacArthur "Genius" Grant. ANew York Times bestseller In the comics boom of the 1940s, a legend was born: the Green Turtle. He solved crimes and fought injustice just like the other comics characters. But this mysterious masked crusader was hiding something more than your run-of-the-mill secret identity... The Green Turtle was the first Asian American super hero. The comic had a short run before lapsing into obscurity, but Gene Luen Yang, the acclaimed author ofAmerican Born Chinese, and Sonny Liew, the author of theNew York Times-bestsellerThe Art of Charlie Chan Hock Chye, have finally revived this character inShadow Hero, a new graphic novel that creates an origin story for the Green Turtle. This gorgeous, funny comics adventure for teens is a new spin on the long, rich tradition of American comics lore.

"For days after reading Brenna Thummler's SheetsI have been wandering my neighborhood, haunted, enchanted, and in need offreshly pressed clothing." -LemonySnicket Marjorie Glatt feels like a ghost. Apractical thirteen-year-old in charge of the family laundry business, her dailyroutine features unforgiving customers, unbearable P.E. classes, and thefastidious Mr. Saubertuck who is committed to destroying everything she's workedfor. Wendell is a ghost. A boy who lost hislife much too young, his daily routine features ineffective death therapy, asheet-dependent identity, and a dangerous need to seek purpose in the forbiddenhuman world. When their worlds collide,Marjorie is confronted by unexplainable disasters as Wendell transforms Glatt'sLaundry into his midnight playground, appearing as a mere sheet during the day.While Wendell attempts to create a new afterlife for himself, he unknowinglysabotages the life that Marjorie is struggling tomaintain. Sheets illustrates thedetermination of a young girl to fight, even when all parts of her world seem tobe conspiring against her. It proves that second chances are possible whetherlife feels over or life is over. But above all, it is a story of the forgivenessand unlikely friendship that can only transpire inside a hauntedlaundromat. "Brenna Thummler's first originalgraphic novel is a reason to celebrate. She announced herself as an artist toreckon with when she illustrated Mariah Marsden's adaptation of Anne of GreenGables. Now she's illustrated her own story of ghosts and family, loneliness andlaundromats. I'm sure you'll be captivated, and as eager as I am to see whatcomes next!"-Brian Selznick, author of Wonderstruck and The Inventionof Hugo Cabret "Sweet, sad, funny, warm, and beautiful. If I can beforgiven for using this word, this is one that will haunt me, in the bestway."-Dana Simpson

Winner of the 2017 Solliès Comics Festival's Best Adult Graphic Novel The classic short story--now in full color Shirley Jackson's short story "The Lottery" continues to thrill and unsettle readers nearly seven decades after it was first published. By turns puzzling and harrowing, "The Lottery" raises troubling questions about conformity, tradition, and the ritualized violence that may haunt even the most bucolic, peaceful village. This graphic adaptation by Jackson's grandson Miles Hyman allows readers to experience "The Lottery" as never before, or to discover it anew. He has crafted an eerie vision of the hamlet where the tale unfolds and the unforgettable ritual its inhabitants set into motion. Hyman's full-color, meticulously detailed panels create a noirish atmosphere that adds a new dimension of dread to the original story. Shirley Jackson's "The Lottery": The Authorized Graphic Adaptation stands as a tribute to Jackson, and reenvisions her iconic story as a striking visual narrative.

The hit Netflix series from the Duffer Brothers is now a spine-tingling comic that recounts Will Beyers' harrowing survival in the treacherous Upside Down! When Will Byers finds himself in the Upside Down, an impossible dark parody of his own world, he's understandably frightened. But that's nothing compared with the fear that takes hold when he realises what's in that world with him! Follow Will's struggle through the season one events of the hit Netflix show Stranger Things! Written by Jody Houser (Mother Panic, Faith) and illustrated by Stefano Martino (Doctor Who, Catwoman).

Parallel stories set in different times, one told in prose and one in pictures, converge as a girl unravels the mystery of the abandoned Thornhill Institute next door. 1982: Mary is a lonely orphan at the Thornhill Institute For Children at the very moment that it's shutting its doors. When her few friends are all adopted or re-homed and she's left to face a volatile bully alone, her revenge will have a lasting effect on the bully, on Mary, and on Thornhill itself. 2017: Ella has just moved to a new town where she knows no one. From her room on the top floor of her new home, she has a perfect view of the dilapidated, abandoned Thornhill Institute across the way, where she glimpses a girl in the window. Determined to befriend the girl and solidify the link between them, Ella resolves to unravel Thornhill's shadowy past. Told in alternating, interwoven plotlines--Mary's through intimate diary entries and Ella's in bold, striking art--Pam Smy'sThornhill is a haunting exploration of human connection, filled with suspense. AKirkus ReviewsBest Book of 2017 A New York City Public Library Notable Best Book for Kids A 2018 ALSC Notable Children's Book A VOYA Top of the Shelf Pick

Discover a terrifying world in the woods in this collection of five hauntingly beautiful graphic stories that includes the online webcomic sensation "His Face All Red," in print for the first time. Journey through the woods in this sinister, compellingly spooky collection that features four brand-new stories and one phenomenally popular tale in print for the first time. These are fairy tales gone seriously wrong, where you can travel to "Our Neighbor's House"--though coming back might be a problem. Or find yourself a young bride in a house that holds a terrible secret in "A Lady's Hands Are Cold." You might try to figure out what is haunting "My Friend Janna," or discover that your brother's fiancée may not be what she seems in "The Nesting Place." And of course you must revisit the horror of "His Face All Red," the breakout webcomic hit that has been gorgeously translated to the printed page. Already revered for her work online, award-winning comic creator Emily Carroll's stunning visual style and impeccable pacing is on grand display in this entrancing anthology, her print debut.

In an alternate future in which Germany wins World War II and Britain becomes a fascist state, a vigilante named "V" tries to free England of its ideological chains.

SOON TO BE A FEATURE FILM!This Hugo Award-winning graphic novel chronicles the fall from grace of a group of super-heroes plagued by all-too-human failings. Along the way, the concept of the super-hero is dissected as the heroes are stalked by an unknown assassin.One of the most influential graphic novels of all time and a perennial bestseller, WATCHMEN has been studied on college campuses across the nation and is considered a gateway title, leading readers to other graphic novels such as V FOR VENDETTA, BATMAN- THE DARK KNIGHT RETURNS and THE SANDMAN series.

The world already knows Meg and Charles Wallace Murry, Calvin O'Keefe, and the three Mrs-Who, Whatsit, and Which - the memorable and wonderful characters who fight off a dark force and save our universe in the Newbery award-winning classic A Wrinkle in Time. But in 50 years of publication, the book has never been illustrated. Now, Hope Larson takes the classic story to a new level with her vividly imagined interpretations of tessering and favorite characters like the Happy Medium and Aunt Beast. Perfect for old fans and winning over new ones, this graphic novel adaptation is a must-read.

Those who don't learn from history are condemned to repeat it. From the Stone Age to the information age, the undead have threatened to engulf the human race. They' re coming. They're hungry. Don't wait for them to come to you! This is the graphic novel the fans demanded: major zombie attacks from the dawn of humanity. On the African savannas, against the legions of ancient Rome, on the high seas with Francis Drake . . . every civilization has faced them. Here are the grisly and heroic stories-complete with eye-popping artwork that pulsates with the hideous faces of the undead. Organize before they rise! Scripted by the world's leading zombie authority, Max Brooks, Recorded Attacks reveals how other eras and cultures have dealt with-and survived- the ancient viral plague. By immersing ourselves in past horror we may yet prevail over the coming outbreak in our time.

Winner of a Pura Belpré Illustrator Honor and a Robert F. Sibert Honor! Celebrate music icon Carlos Santana in this vibrant, rhythmic picture book from the author of the New York Times Best Illustrated Children's Book Muddy: The Story of Blues Legend Muddy Waters. Carlos Santana loved to listen to his father play el violín. It was a sound that filled the world with magic and love and feeling and healing--a sound that made angels real. Carlos wanted to make angels real, too. So he started playing music. Carlos tried el clarinete and el violín, but there were no angels. Then he picked up la guitarra. He took the soul of the Blues, the brains of Jazz, and the energy of Rock and Roll, and added the slow heat of Afro-Cuban drums and the cilantro-scented sway of the music he'd grown up with in Mexico. There were a lot of bands in San Francisco but none of them sounded like this. Had Carlos finally found the music that would make his angels real?

In this sharp and candid collection of essays, critically acclaimed writer and first-generation American Jennine Capó Crucet explores the condition of finding herself a stranger in the country where she was born. Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Florida. Crucet illuminates how she came to see her exclusion from aspects of the theoretical American Dream, despite her family's attempts to fit in with white American culture--beginning with their ill-fated plan to name her after the winner of the Miss America pageant. In prose that is both fearless and slyly humorous, My Time Among the Whites examines the sometimes hopeful, sometimes deeply flawed ways in which many Americans have learned to adapt, exist, and--in the face of all signals saying otherwise--perhaps even thrive in a country that never imagined them here.

In her father's Peruvian family, Marie Arana was taught to be a proper lady, yet in her mother's American family she learned to shoot a gun, break a horse, and snap a chicken's neck for dinner. Arana shuttled easily between these deeply separate cultures for years. But only when she immigrated with her family to the United States did she come to understand that she was a hybrid American whose cultural identity was split in half. Coming to terms with this split is at the heart of this graceful, beautifully realized portrait of a child who "was a north-south collision, a New World fusion. An American Chica." Here are two vastly different landscapes: Peru--earthquake-prone, charged with ghosts of history and mythology--and the sprawling prairie lands of Wyoming. In these rich terrains resides a colorful cast of family members who bring Arana's historia to life...her proud grandfather who one day simply stopped coming down the stairs; her dazzling grandmother, "clicking through the house as if she were making her way onstage." But most important are Arana's parents: he a brilliant engineer, she a gifted musician. For more than half a century these two passionate, strong-willed people struggled to overcome the bicultural tensions in their marriage and, finally, to prevail.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders of the NO vote persuade a brash young advertising executive, René Saavedra (Gael García Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot's minions, Saavedra and his team devise an audicious plan to win the election and set the Chile free.

The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. With equal parts idolatry and iconoclasm, Latin American Icons recognizes and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life--populist politicos, jet-setting ambassador-playboys, soccer players, and superstars--to examine the complex forces at work in the making and remaking of celebrities within and across national borders.

Cesar Chavez is known as one of America's greatest civil rights leaders. When he led a 340-mile peaceful protest march through California, he ignited a cause and improved the lives of thousands of migrant farmworkers. But Cesar wasn't always a leader. As a boy, he was shy and teased at school. His family slaved in the fields for barely enough money to survive. Cesar knew things had to change, and he thought that--maybe--he could help change them. So he took charge. He spoke up. And an entire country listened. An author's note provides historical context for the story of Cesar Chavez's life.

Set in a country on the Caribbean coast of South America, this is a story about a woman and two men and their entwined lives. From the author of the legendary One Hundred Years of Solitude.

Winner of the 2018 Eisner Award Winner for Best Scholarly/Academic Work Whether good or evil, beautiful or ugly, smart or downright silly, able-bodied or differently abled, gay or straight, male or female, young or old, Latinx superheroes in mainstream comic book stories are few and far between. It is as if finding the Latinx presence in the DC and Marvel worlds requires activation of superheroic powers. Latinx Superheroes in Mainstream Comics blasts open barriers with a swift kick. It explores deeply and systematically the storyworld spaces inhabited by brown superheroes in mainstream comic book storyworlds: print comic books, animation, TV, and film. It makes visible and lets loose the otherwise occluded and shackled. Leaving nothing to chance, it sheds light on how creators (authors, artists, animators, and directors) make storyworlds that feature Latinos/as, distinguishing between those that we can and should evaluate as well done and those we can and should evaluate as not well done. The foremost expert on Latinx comics, Frederick Luis Aldama guides us through the full archive of all the Latinx superheros in comics since the 1940s. Aldama takes us where the superheroes live--the barrios, the hospitals, the school rooms, the farm fields--and he not only shows us a view to the Latinx content, sometimes deeply embedded, but also provokes critical inquiry into the way storytelling formats distill and reconstruct real Latinos/as. Thoroughly entertaining but seriously undertaken, Latinx Superheroes in Mainstream Comics allows us to truly see how superhero comic book storyworlds are willfully created in ways that make new our perception, thoughts, and feelings.

Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations respectively.  

A 2015 Caldecott Honor BookA 2015 Pura Belpré (Illustrator) AwardFrida Kahlo, one of the world's most famous and unusual artists is revered around the world. Her life was filled with laughter, love, and tragedy, all of which influenced what she painted on her canvases.Distinguished author/illustrator Yuyi Morales illuminates Frida's life and work in this elegant and fascinating book.

Latinx (pronounced La-teen-ex) is the gender-neutral term that covers the largest racial minority in the United States, 17 percent of the country. This is the fastest-growing sector of American society, containing the most immigrants. It is the poorest ethnic group in the country, whose political empowerment is altering the balance of forces in a growing number of states. And yet, Latin barely figure in America 's racial conversation the US census does not even have a category for Latino. In this groundbreaking discussion, Ed Morales explains how Latin political identities are tied to a long Latin American history of mestizaje, translatable as mixedness or hybridity , and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America 's infamously black/white racial regime. This searching and long-overdue exploration of a crucial development in American life updates Cornel West 's bestselling Race Matters with a Latin inflection.

The Princess and the Pea gets a fresh twist in this charming bilingual retelling. El principe knows this girl is the one for him, but, as usual, his mother doesn't agree. The queen has a secret test in mind to see if this girl is really a princesa. But the prince might just have a sneaky plan, too . . . Readers will be enchanted by this Latino twist on the classic story, and captivated by the vibrant art inspired by the culture of Peru.

A celebration of the love between a father and daughter, and of a vibrant immigrant neighborhood, by an award-winning author and illustrator duo. When Daisy Ramona zooms around her neighborhood with her papi on his motorcycle, she sees the people and places she's always known. She also sees a community that is rapidly changing around her. But as the sun sets purple-blue-gold behind Daisy Ramona and her papi, she knows that the love she feels will always be there. With vivid illustrations and text bursting with heart, My Papi Has a Motorcycle is a young girl's love letter to her hardworking dad and to memories of home that we hold close in the midst of change.

Fully revised and updated, the second edition of this popular textprovides students with a comprehensive introduction to Latinoparticipation in US politics. Focusing on six Latino groups -Mexicans, Puerto Ricans, Cubans, Dominicans, Salvadorans, andGuatemalans - the book explores the migration history of each groupand shows how that experience has been affected by US foreignpolicy and economic interests in each country of origin. Thepolitical status of Latinos on arrival in the United States,including their civil rights, employment opportunities, andpolitical incorporation, is then examined. Finally, the analysisfollows each group?s history of collective mobilization andpolitical activity, drawing out the varied ways they have engagedin the US political system. Using the tension between individual agency and structuralconstraints as its central organizing theme, the discussionsituates Latino migrants, and their children, within larger macroeconomic and geo-political structures that influence theirdecisions to migrate and their ability to adapt socially,economically, and politically to their new country. It alsodemonstrates how Latinos continually have shown that throughpolitical action they can significantly improve their channels ofopportunity. Thus, the book encourages students to think criticallyabout what it means to be a racialized minority group within amajoritarian US political system, and how that position structuresLatinos? ability to achieve their social, economic, andpolitical goals.

This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history. Published in association with the Hammer Museum.

There are no shortcuts to surviving your first day at a new school-you can't fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malo (Maria Luisa, if you want to annoy her) inadvertently upsets Posada Middle School's queen bee, violates the school's dress code with her punk rock look, and disappoints her college-professor mom in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk- be yourself. The real Malo loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles a group of like-minded misfits at school and starts a band, Malo finally begins to feel at home. She'll do anything to preserve this, which includes standing up to an anti-punk school administration to fight for her right to express herself! Black and white illustrations and collage art throughout make The First Rule of Punk a perfect pick for fans of books like Roller Girl and online magazines like Rookie.

National Book Award Finalist! Instant New York Times Bestseller! The Absolutely True Diary of a Part-Time Indian meets Jane the Virgin in this poignant but often laugh-out-loud funny contemporary YA about losing a sister and finding yourself amid the pressures, expectations, and stereotypes of growing up in a Mexican-American home.    Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family.   But Julia is not your perfect Mexican daughter. That was Olga's role.   Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.   But it's not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister's story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal? "Alive and crackling--a gritty tale wrapped in a page-turner. "--The New York Times   "Unique and fresh." --Entertainment Weekly "A standout." --NPR

Danny's tall and skinny. Even though he's not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy's not even on a team. Every time he gets up on the mound he loses it.    But at his private school, they don't expect much else from him. Danny' s brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can't speak Spanish, and before they realize his mom has blond hair and blue eyes, they've got him pegged. But it works the other way too. And Danny's convinced it's his whiteness that sent his father back to Mexico.    That's why he's spending the summer with his dad's family. Only, to find himself, he may just have to face the demons he refuses to see--the demons that are right in front of his face. And open up to a friendship he never saw coming.    Set in the alleys and on the ball fields of San Diego County, Mexican Whiteboy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions. An ALA-YALSA Top Ten Best Book for Young Adults A Junior Library Guild Selection "[A] first-rate exploration of self-identity."-School Library Journal "Unique in its gritty realism and honest portrayal of the complexities of life for inner-city teens...De la Peña poignantly conveys the message that, despite obstacles, you must believe in yourself and shape your own future."-The Horn Book Magazine "The baseball scenes...sizzle like Danny's fastball...Danny's struggle to find his place will speak strongly to all teens, but especially to those of mixed race."-Booklist "De la Peña blends sports and street together in a satisfying search for personal identity."-Kirkus Reviews "Deftly explores the subject of interracial mixing."-Multicultural Review "Matt de la Pena has done the impossib≤ fired a perfect fastball on the low inside corner and hit a towering home run at the same time. A tough, funny, edgy, hopeful story about friendship under fire and love in its true sense."-Chris Crutcher, author of Deadline and Whale Talk "Mexican Whiteboy...shows that no matter what obstacles you face, you can still reach your dreams with a positive attitude. This is more than a book about a baseball player--this is a book about life."-Curtis Granderson, New York Mets outfielder From the Hardcover edition.

Award-winning author Angela Cervantes returns to the fan favorite animal shelter featured in Gaby, Lost and Found, with a heartfelt novel about friendship and finding your voice.Can Lety find her voice before it's too late?Lety Muñoz's first language is Spanish, and she likes to take her time putting her words together. She loves volunteering at the Furry Friends Animal Shelter because the dogs and cats there don't care if she can't always find the right word.When the shelter needs a volunteer to write animal profiles, Lety jumps at the chance. But grumpy classmate Hunter also wants to write profiles -- so now they have to work as a team. Hunter's not much of a team player, though. He devises a secret competition to decide who will be the official shelter scribe. Whoever helps get their animals adopted the fastest wins. The loser scoops dog food.Lety reluctantly agrees, but she's worried that if the shelter finds out about the contest, they'll kick her out of the volunteer program. Then she'll never be able to adopt Spike, her favorite dog at the shelter!A Kirkus Reviews Best Book of 2019A New York Public Library Best Book of 2019A 2020 Pura Belpré Honor Award Book

When Carmela wakes up on her birthday, her wish has already come true--she's finally old enough to join her big brother as he does the family errands. Together, they travel through their neighborhood, past the crowded bus stop, the fenced-off repair shop, and the panaderia, until they arrive at the Laundromat, where Carmela finds a lone dandelion growing in the pavement. But before she can blow its white fluff away, her brother tells her she has to make a wish. If only she can think of just the right wish to make . . . With lyrical, stirring text and stunning, evocative artwork, Matt de la Pena and Christian Robinson have crafted a moving ode to family, to dreamers, and to finding hope in the most unexpected places.

A GOOD MORNING AMERICA BOOK CLUB PICK Shortlisted for the 2020 Women's Prize for Fiction "Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed." --Jacqueline Woodson,Vanity Fair "Gorgeous writing, gorgeous story."--Sandra Cisneros Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn't matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year's Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wifeconfined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan's free-spirited younger brother, who convinces her to stay. As the Dominican Republic slides into political turmoil, Juan returns to protect his family's assets, leaving Cesar to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, see a movie at Radio City Music Hall, go dancing with Cesar, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family. In bright, musical prose that reflects the energy of New York City, Angie Cruz'sDominicanais a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world.

A fiercely imaginative new novel about a family whose road trip across America collides with an immigration crisis at the southwestern border--an indelible journey told with breathtaking imagery, spare lyricism, and profound humanity. A mother and father set out with their two children, a boy and a girl, driving from New York to Arizona in the heat of summer. Their destination: Apacheria, the place the Apaches once called home. Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father. In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained--or lost in the desert along the way. As the family drives--through Virginia to Tennessee, across Oklahoma and Texas--we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can almost feel beneath their feet. They are led, inexorably, to a grand, harrowing adventure--both in the desert landscape and within the chambers of their own imaginations. Told through several compelling voices, blending texts, sounds, and images, Lost Children Archive is an astonishing feat of literary virtuosity. It is a richly engaging story of how we document our experiences, and how we remember the things that matter to us the most. With urgency and empathy, it takes us deep into the lives of one remarkable family as it probes the nature of justice and equality today.

Exploring white privilege is an enterprise few of us who identify as white have attempted. White privilege is a foreign territory to us, although an unpleasantly familiar territory to people of color. At first the exploration can seem threatening, frightening and uncomfortable because, like any exploration, it can shatter the way we look at the world and how we understand ourselves. This book is, in part, a personal exploration of the author's white privilege and how he sought to transcend it. It is also a sociological analysis of white privilege, drawing upon key social science literature. The book is an invaluable tool for personal and group explorations of racial privilege as well as other forms of privilege, including gender. Exploring White Privilege offers an analysis of white privilege as well as numerous examples of systemic white privilege in the U.S. Amico explains the cognitive and emotive factors that play a role in making it difficult for most white Americans to understand, learn and accept the sociological facts about systemic racism. While white privilege is generally understood as a system that benefits white people, Amico investigates the psychological, social and spiritual costs of white privilege to white people. And with a deeper understanding of how white privilege affects us all, questions of moral responsibility and accountability are investigated through personal anecdotes.　 The author offers a moral argument that is a call to action within our individual spheres of influence. The benefits of such a commitment to action are then explored and compared to the costs of inaction. Exploring white privilege can lead to social change. Amico offers a variety of tools for the reader interested in such explorations of their white privilege.

All of us or none of us -- Reviving the Black radical imagination -- The case for reimagining the Black radical tradition -- Three commitments -- Five questions -- The Chicago model -- The mandate.

From the National Book Award-winning author of Stamped from the Beginning comes a "groundbreaking" (Time) approach to understanding and uprooting racism and inequality in our society--and in ourselves.

Introduction: we can't get there from here -- The challenges of talking to white people about racism -- Racism and white supremacy -- Racism after the civil rights movement -- How does race shape the lives of white people? -- The good/bad binary -- Anti-blackness -- Racial triggers for white people -- The result: white fragility -- White fragility in action -- White fragility and the rules of engagement -- White women's tears -- Where do we go from here?

The Combahee River Collective, a group of radical black feminists, was one of the most important organizations to develop out of the anti-racist and women's liberation movements of the 1960s and 70s. In this collection, founding members of the organization and contemporary activists reflect on the legacy of its contributions to black feminism and its impact on today's struggles.

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

Chronicling the emergence of deeply embedded notions of black people as a dangerous race of criminals by explicit contrast to working-class whites and European immigrants, this fascinating book reveals the influence such ideas have had on urban development and social policies.

White Americans have long been comfortable in the assumption that they are the cultural norm. Now that notion is being challenged, as white people wrestle with what it means to be part of a fast-changing, truly multicultural nation. Facing chronic economic insecurity, a popular culture that reflects the nation's diverse cultural reality, a future in which they will no longer constitute the majority of the population, and with a black president in the White House, whites are growing anxious. This anxiety has helped to create the Tea Party movement, with its call to "take our country back." By means of a racialized nostalgia for a mythological past, the Right is enlisting fearful whites into its campaign for reactionary social and economic policies. In urgent response, Tim Wise has penned his most pointed and provocative work to date. Employing the form of direct personal address, he points a finger at whites' race-based self-delusion, explaining how such an agenda will only do harm to the nation's people, including most whites. In no uncertain terms, he argues that the hope for survival of American democracy lies in the embrace of our multicultural past, present and future.

InThe Souls of Black Folks, W.E.B. DuBois writes that the question whites want to ask him is: "How does it feel to be a problem?" InThe Heart of Whiteness, Robert Jensen writes that it is time for white people in America to self-consciously reverse the direction of that question and to fully acknowledge that in the racial arena, they are the problem. While some whites would like to think that we have reached "the end of racism" in the United States, and others would like to celebrate diversity but are oblivious to the political, economic and social consequences of a nation--and their sense of self--founded on a system of white supremacy, Jensen proposes a different approach. He sets his sights not only on the racism that can't be hidden, but also on the liberal platitudes that sometimes conceal the depths of that racism in "polite society." The Heart of Whiteness offers an honest and rigorous exploration of what Jensen refers to as the depraved nature of whiteness in the United States. Mixing personal experience with data and theory, he faces down the difficult realities of racism and white privilege. He argues that any system that denies non-whites their full humanity also keeps whites from fully accessing their own. This book is both a cautionary tale for those who believe that they have transcended racism, and also an expression of the hope for genuine transcendence. When white people fully understand and accept the painful reality that they are indeed "the problem," it should lead toward serious attempts to change one's own life and join with others to change society. Robert Jensenis the author ofCitizens of the Empire. He is a professor of media ethics and journalism at The University of Texas at Austin.

Some embrace the idea of white privilege as an important concept that helps us to make sense of the connection between race and social and political disadvantages, while others are critical or even hostile. Regardless of personal views, it can be difficult to agree on what 'white privilege' even means. Philosopher Shannon Sullivan cuts through the confusion and cross-talk to challenge what 'everybody knows' about white privilege. Using real-life examples, she offers a candid assessment of the advantages and disadvantages of the term, to present a better understanding of how race functions in our societies. She argues that white privilege is about more than race, that not only white people can have white privilege, and that feeling guilty about privilege can have a negative effect on the very people you feel guilty towards. In the end, she offers practical solutions for eliminating white privilege and building a fairer society. Sullivan's forcefully argued book will inspire you to think again about white privilege and what it entails.

In this book Joe R. Feagin extends the systemic racism framework by developing an innovative new concept, the white racial frame. Now four centuries-old, this white racial frame encompasses not only the stereotyping, bigotry, and racist ideology accented in other theories of "race," but also the visual images, array of emotions, sounds of language, interlinking interpretations, and inclinations to discriminate that are still central to the frame's everyday operation. Deeply imbedded in American minds and institutions, this white racial frame has for centuries functioned as a broad worldview, one essential to the routine legitimation, scripting, and maintenance of systemic racism in the United States. Here Feagin examines how and why this white racial frame emerged in North America, how and why it has evolved socially over time, which racial groups are framed within it, how it has operated in the past and in the present for both white Americans and Americans of color, and how the latter have long responded with strategies of resistance that include enduring counter-frames.

In this book Joe R. Feagin extends the systemic racism framework by developing an innovative new concept, the white racial frame. Now four centuries-old, this white racial frame encompasses not only the stereotyping, bigotry, and racist ideology accented in other theories of "race," but also the visual images, array of emotions, sounds of language, interlinking interpretations, and inclinations to discriminate that are still central to the frame's everyday operation. Deeply imbedded in American minds and institutions, this white racial frame has for centuries functioned as a broad worldview, one essential to the routine legitimation, scripting, and maintenance of systemic racism in the United States. Here Feagin examines how and why this white racial frame emerged in North America, how and why it has evolved socially over time, which racial groups are framed within it, how it has operated in the past and in the present for both white Americans and Americans of color, and how the latter have long responded with strategies of resistance that include enduring counter-frames.

Witnessing Whiteness invites readers to consider what it means to be white, describes and critiques strategies used to avoid race issues, and identifies the detrimental effect of avoiding race on cross-race collaborations. The author illustrates how racial discomfort leads white people toward poor relationships with people of color. Questioning the implications our history has for personal lives and social institutions, the book considers political, economic, socio-cultural, and legal histories that shaped the meanings associated with whiteness. Drawing on dialogue with well-known figures within education, race, and multicultural work, the book offers intimate, personal stories of cross-race friendships that address both how a deep understanding of whiteness supports cross-race collaboration and the long-term nature of the work of excising racism from the deep psyche. Concluding chapters offer practical information on building knowledge, skills, capacities, and communities that support anti-racism practices, a hopeful look at our collective future, and a discussion of how to create a culture of witnesses who support allies for social and racial justice. For book discussion groups and workshop plans, please visit www.witnessingwhiteness.com.

Race first emerged as an important ingredient of New York City's melting pot when it was known as New Amsterdam and was a fledgling colonial outpost on the North American frontier. Thelma Wills Foote details the arrival of the first immigrants, including African slaves, and traces encountersbetween the town's inhabitants of African, European, and Native American descent, showing how racial domination became key to the building of the settler colony at the tip of Manhattan Island. Foote investigates everyday formations of race in slaveowing households, on the colonial city's streets, atits docks, taverns, and marketplaces, and in the adjacent farming districts. The history of New York City demonstrates that the process of racial formation and the mechanisms of racial domination were central to the northern colonial experience and to the founding of the United States.

Discussions of race are inevitably fraught with tension, both in opinion and positioning. Too frequently, debates are framed as clear points of opposition--us versus them. And when considering white racial identity, a split between progressive movements and a neoconservative backlash is all too frequently assumed. Taken at face value, it would seem that whites are splintering into antagonistic groups, with differing worldviews, values, and ideological stances. White Bound investigates these dividing lines, questioning the very notion of a fracturing whiteness, and in so doing offers a unique view of white racial identity. Matthew Hughey spent over a year attending the meetings, reading the literature, and interviewing members of two white organizations--a white nationalist group and a white antiracist group. Though he found immediate political differences, he observed surprising similarities. Both groups make meaning of whiteness through a reliance on similar racist and reactionary stories and worldviews. On the whole, this book puts abstract beliefs and theoretical projection about the supposed fracturing of whiteness into relief against the realities of two groups never before directly compared with this much breadth and depth. By examining the similarities and differences between seemingly antithetical white groups, we see not just the many ways of being white, but how these actors make meaning of whiteness in ways that collectively reproduce both white identity and, ultimately, white supremacy.

While we are all familiar with the lives of prominent Black civil rights leaders, few of us have a sense of what is entailed in developing a White anti-racist identity. Few of us can name the White activists who joined the struggle against discrimination, let alone understand the complexities, stresses and contradictions of doing this work while benefiting from the privileges they enjoyed as Whites. This book fills that gap by vividly presenting - in their own words - the personal stories, experiences and reflections of fifteen prominent White anti-racists. They recount the circumstances that led them to undertake this work, describe key moments and insights along their journeys, and frankly admit their continuing lapses and mistakes. They make it clear that confronting oppression (including their own prejudices) - whether about race, sexual orientation, ability or other differences - is a lifelong process of learning. The chapters in this book are full of inspirational and lesson-rich stories about the expanding awareness of White social justice advocates and activists who grappled with their White privilege and their early socialization and decided to work against structural injustice and personal prejudice. The authors are also self-critical, questioning their motivations and commitments, and acknowledging that - as Whites and possessors of other privileged identities - they continue to benefit from White privilege even as they work against it. This is an eye-opening book for anyone who wants to understand what it means to be White and the reality of what is involved in becoming a White anti-racist and social justice advocate; is interested in the paths taken by those who have gone before; and wants to engage reflectively and critically in this difficult and important work. Contributing Authors Warren J. Blumenfeld Abby L. Ferber Jane K. Fernandes Michelle Fine Diane J. Goodman Paul C. Gorski Heather W. Hackman Gary R. Howard Kevin Jennings Frances E. Kendall Paul Kivel James W. Loewen Peggy McIntosh Julie O'Mara Alan Rabinowitz Andrea Rabinowitz Christine E. Sleeter

Habits of Whiteness offers a new way to talk about race and racism by focusing on racial habits and how to change them. According to Terrance MacMullan, the concept of racial whiteness has undermined attempts to create a truly democratic society in the United States. By getting to the core of the racism that lives on in unrecognized habits, MacMullan argues clearly and charitably for white folk to recognize the distance between their color-blind ideals and their actual behavior. Revitalizing the work of W. E. B. Du Bois and John Dewey, MacMullan shows how it is possible to reconstruct racial habits and close the gap between people. This forthright and persuasive analysis of the impulses of whiteness ultimately reorganizes them into something more compatible with our country's increasingly multicultural heritage.

An original contribution to political theory and cultural studies this work argues for a reinterpretation of how race is described in US society. McKnight develops a line of reasoning to explain how we accommodate racial categories in a period when it has become important to adopt anti-racist formal instruments in much of our daily lives. The discussion ranges over a wide theoretical landscape, bringing to bear the insights of Wittgenstein, Stanley Cavell, Michel Foucault, Cornel West and others to the dilemmas represented by the continuing social practice of race. The book lays the theoretical foundation for a politics of critical race practice, it provides insight into why we have sought the legal and formal institutional solutions to racism that have developed since the 1960s, and then describes why these are inadequate to addressing the new practices of racism in society. The work seeks to leave the reader with a sense of possibility, not pessimism; and demonstrates how specific arguments about racial subjection may allow for changing how we live and thereby improve the impact race continues to have in our lives. By developing a new way to critically study how race persists in dominating society, the book provides readers with an understanding of how race is socially constructed today, and will be of great interest to students and scholars of political theory, American politics and race & ethnic politics

In this book, Lehman examines America's race problem with the understanding that America usually addresses race with the assumption that all things regarding race are presently correct and accurate. In so doing, America fails to confront the real problem of race. After discussing various aspects of race and its manifestations using both academic and secular references, the book presents a challenge to America to recognize its race problem by examining its present-day perceptions, language, and behavior. Some of the topics discussed include color, normalcy, racial priority, and slavery's legacy. The chapter 'The Race Box' will engage the reader in a discussion that can have a major impact on the way race is viewed by individuals in American society.

In Uncivil Youth, Soo Ah Kwon explores youth of color activism as linked to the making of democratic citizen-subjects. Focusing attention on the relations of power that inform the social and political practices of youth of color, Kwon examines how after-school and community-based programs are often mobilized to prevent potentially "at-risk" youth from turning to "juvenile delinquency" and crime. These sorts of strategic interventions seek to mold young people to become self-empowered and responsible citizens. Theorizing this mode of youth governance as "affirmative governmentality," Kwon investigates the political conditions that both enable youth of color to achieve meaningful change and limit their ability to do so given the entrenchment of nonprofits in the logic of a neoliberal state. She draws on several years of ethnographic research with an Oakland-based, panethnic youth organization that promotes grassroots activism among its second-generation Asian and Pacific Islander members (ages fourteen to eighteen). While analyzing the contradictions of the youth organizing movement, Kwon documents the genuine contributions to social change made by the young people with whom she worked in an era of increased youth criminalization and anti-immigrant legislation.

For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical--saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society. More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is "post-intentional": neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle--a space of "righteous hope"--and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope. To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.

In 1968, the Kerner Commission concluded that America was heading toward "two societies, one black, one white--separate and unequal." Today, America's communities are experiencing increasing racial tensions and inequality, working-class resentment over the unfulfilled American Dream, white supremacy violence, toxic inaction in Washington, and the decline of the nation's example around the world.In Healing Our Divided Society, Fred Harris, the last surviving member of the Kerner Commission, along with Eisenhower Foundation CEO Alan Curtis, re-examine fifty years later the work still necessary towards the goals set forth in The Kerner Report. This timely volume unites the interests of minorities and white working- and middle-class Americans to propose a strategy to reduce poverty, inequality, and racial injustice. Reflecting on America's urban climate today, this new report sets forth evidence-based policies concerning employment, education, housing, neighborhood development, and criminal justice based on what has been proven to work--and not work. Contributors include: Oscar Perry Abello, Elijah Anderson, Anil N.F. Aranha, Jared Bernstein, Henry G. Cisneros, Elliott Currie, Linda Darling-Hammond, Martha F. Davis, E. J. Dionne, Jr., Marian Wright Edelman, Delbert S. Elliott, Carol Emig, Jeff Faux, Ron Grzywinski, Michael P. Jeffries, Lamar K. Johnson, Celinda Lake, Marilyn Melkonian, Gary Orfield, Diane Ravitch, Laurie Robinson, Herbert C. Smitherman, Jr., Joseph Stiglitz, Dorothy Stoneman, Kevin  Washburn, Valerie Wilson, Gary Younge,  Julian E. Zelizer, and the editors

Forty years after Martin Luther King Jr.'s epic speech, and nearly fifty years since the Montgomery Bus Boycott, seven leading religious and theological voices from the African American and multi-cultural community assess the past impact and present import of King's bold, yet in many respects unfulfilled, vision.

Martin Luther King, Jr. was more than the civil rights movement's most visible figure, he was its voice. This book describes what went into the creation of that voice. It explores how King used words to define a movement. From a place situated between two cultures of American society. King shaped the language that gave the movement its identity and meaning. Fredrik Sunnemark shows how materialistic, idealistic, and religious ways of explaining the world coexisted in King's speeches and writings. He points out the roles of God, Jesus, the church, and ""the Beloved Community"" in King's rhetoric. Sunnemark examines King's use of allusions, his strategy of employing different meanings of key ideas to speak to different members of his audience, and the way he put into play international ideas and events to achieve certain rhetorical goals. The book concludes with an analysis of King's development after 1965, examining the roots, content, and consequences of his so-called radicalization.

Rodney King framed an eternal question of American politics when he asked: "Can we all get along?" In a nation built by immigrants and bedeviled by the history and legacy of slavery, issues of liberty, equality, and community continue to challenge Americans. In this third edition of the widely acclaimed text, Paula McClain and Joseph Stewart combine traditional elements of political science analysis-history, Constitutional theory, institutions, political behavior, and policy actors-with a thoroughgoing survey of the political status of four major groups: African Americans, Latinos, Asian Americans, and American Indians. They show similarities and differences in these groups' political action and experience, and point the way toward coalition, competition, and consensus building in the face of ongoing conflict. Two dilemmas shape the book: How do we as a nation reconcile a commitment to equality with persistent inequality and discrimination? And what can we do about it-from the perspective of ethnic and racial minorities as well as within the dominant culture? Thoroughly updated following the 2000 national elections and early 2000 Census data, this third edition provides a concise overview of minority politics in America.

Freedom Time reconsiders decolonization from the perspectives of Aimé Césaire (Martinique) and Léopold Sédar Senghor (Senegal) who, beginning in 1945, promoted self-determination without state sovereignty. As politicians, public intellectuals, and poets they struggled to transform imperial France into a democratic federation, with former colonies as autonomous members of a transcontinental polity. In so doing, they revitalized past but unrealized political projects and anticipated impossible futures by acting as if they had already arrived. Refusing to reduce colonial emancipation to national independence, they regarded decolonization as an opportunity to remake the world, reconcile peoples, and realize humanity's potential. Emphasizing the link between politics and aesthetics, Gary Wilder reads Césaire and Senghor as pragmatic utopians, situated humanists, and concrete cosmopolitans whose postwar insights can illuminate current debates about self-management, postnational politics, and planetary solidarity. Freedom Time invites scholars to decolonize intellectual history and globalize critical theory, to analyze the temporal dimensions of political life, and to question the territorialist assumptions of contemporary historiography.

"Who is an American?" "How does a person who is not an American become one?"Now in its sixth edition, Natives and Strangers: A History of Ethnic Americans addresses these and many other vital questions. Comprehensive and accessible, this unique volume explores various aspects of American minority group history. Examining the impact that America has had on minority peoplesand cultures - and vice versa - authors Leonard Dinnerstein, Roger L. Nichols, and David M. Reimers provide insights into the different conditions, conflicts, and contradictions that members of American minority groups experienced. They integrate the experiences of various racial, religious, andnational minorities from around the globe -including American Indians, African Americans, and immigrants from Europe, Asia, Latin America, and other parts of the world - explaining how their histories intertwined with the emergence of modern America. The authors conclude with reflections on wherethe nation stands today as an ethnically and racially diverse society.

Winner of the 2019 National Book Award for Nonfiction A New York Times Bestseller Named a Notable Book of the Year by the New York Times Book Review Named one of the "10 Best Books of 2019" by the New York Times Book Review, Seattle Times, Chicago Public Library, the Chicago Tribune, and Slate Named a Best Book of 2019 by the Washington Post, NPR's Book Concierge, NPR's Fresh Air, the Guardian, BookPage, New York Public Library, and Shelf Awareness Named a Best Memoir of the Decade by LitHub A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East. In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child. A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser-known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the "Big Easy" of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.

Give Me Liberty! is the #1 book in the U.S. history survey course because it works in the classroom. A single-author text by a leader in the field, Give Me Liberty! delivers an authoritative, accessible, concise, and integrated American history. Updated with powerful new scholarship on borderlands and the West, the Fifth Edition brings new interactive History Skills Tutorials and Norton InQuizitive for History, the award-winning adaptive quizzing tool. The best-selling Seagull Edition is also available in full color for the first time.

#1 NEW YORK TIMES BESTSELLER * OPRAH'S BOOK CLUB PICK * From the National Book Award-winning author of Between the World and Me, a boldly conjured debut novel about a magical gift, a devastating loss, and an underground war for freedom. "This potent book about America's most disgraceful sin establishes [Ta-Nehisi Coates] as a first-rate novelist."--San Francisco Chronicle NOMINATED FOR THE NAACP IMAGE AWARD * NAMED ONE OF PASTE'S BEST NOVELS OF THE DECADE * NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time * NPR * The Washington Post * Chicago Tribune * Vanity Fair * Esquire * Good Housekeeping * Paste * Town & Country * The New York Public Library * Kirkus Reviews * Library Journal "Nearly every paragraph is laced through with dense, gorgeously evocative descriptions of a vanished world and steeped in its own vivid vocabulary."--Entertainment Weekly Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her--but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he's ever known. So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia's proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he's enlisted in the underground war between slavers and the enslaved, Hiram's resolve to rescue the family he left behind endures. This is the dramatic story of an atrocity inflicted on generations of women, men, and children--the violent and capricious separation of families--and the war they waged to simply make lives with the people they loved. Written by one of today's most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen. Praise for The Water Dancer "Ta-Nehisi Coates is the most important essayist in a generation and a writer who changed the national political conversation about race with his 2015 memoir, Between the World and Me. So naturally his debut novel comes with slightly unrealistic expectations--and then proceeds to exceed them. The Water Dancer . . . is a work of both staggering imagination and rich historical significance. . . . What's most powerful is the way Coates enlists his notions of the fantastic, as well as his fluid prose, to probe a wound that never seems to heal. . . . Timeless and instantly canon-worthy."--Rolling Stone

"Kwame Onwuachi's story shines a light on food and culture not just in American restaurants or African American communities but around the world." --Questlove   By the time he was twenty-seven years old, Kwame Onwuachi (winner of the 2019 James Beard Foundation Award for Rising Star Chef of the Year) had opened--and closed--one of the most talked about restaurants in America. He had launched his own catering company with twenty thousand dollars that he made from selling candy on the subway, yet he'd been told he would never make it on television because his cooking wasn't "Southern" enough. In this inspiring memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age. Growing up in the Bronx, as a boy Onwuachi was sent to rural Nigeria by his mother to "learn respect." However, the hard-won knowledge gained in Africa was not enough to keep him from the temptation and easy money of the streets when he returned home. But through food, he broke out of a dangerous downward spiral, embarking on a new beginning at the bottom of the culinary food chain as a chef on board a Deepwater Horizon cleanup ship, before going on to train in the kitchens of some of the most acclaimed restaurants in the country and appearing as a contestant on Top Chef. Onwuachi's love of food and cooking remained a constant throughout, even when he found the road to success riddled with potholes. As a young chef, he was forced to grapple with just how unwelcoming the world of fine dining can be for people of color, and his first restaurant, the culmination of years of planning, shuttered just months after opening. A powerful, heartfelt, and shockingly honest story of chasing your dreams--even when they don't turn out as you expected--Notes from a Young Black Chef is one man's pursuit of his passions, despite the odds. "This is an astonishing and open-hearted story from one of the next generation's stars of the culinary world. I am so excited to see what the future holds for Chef Kwame--he is a phoenix, rising into better and better things and showing us all what it means to be humble, hungry, and daring." --José Andrés

Choice Outstanding Academic Title While bus boycotts, sit-ins, and other acts of civil disobedience were the engine of the civil rights movement, the law provided context for these events. Lawyers played a key role amid profound political and social upheavals, vindicating clients and together challenging white supremacy. Here, in their own voices, twenty-six lawyers reveal the abuses they endured and the barriers they broke as they fought for civil rights. These eyewitness accounts provide unique windows into some of the most dramatic moments in civil rights history--the 1965 Selma March, the first civil judgment against the Ku Klux Klan, the creation of ballot access for African Americans in Alabama, and the 1968 Democratic Convention. The narratives depict attorney-client relationships extraordinary in their mutual trust and commitment to risk-taking. White and black, male and female, northern- and southern-born, these recruits in the battle for freedom helped shape a critical chapter of American history. Contributors: Henry M. Aronson | Larry Aschenbrenner | Fred Banks | Reber Boult | John C. Brittain | Armand Derfner | Jack Drake | Malcolm (?Mac?) Farmer | William Ferguson | Fred D. Gray | Jim Lewis | Elliott Lichtman | Barbara Schechter Lipman | David Lipman | Don H. Marmaduke | John L. Maxey | Laughlin McDonald | Larry Menefee | Dennis Roberts | Solomon Seay | Norman Siegel | Constance "Connie" Slaughter-Harvey | Richard Sobol, Sebastopol | Richard H. Tuttle

Gene Luen Yang is the National Ambassador for Young People's Literature. Jin Wang starts at a new school where he's the only Chinese-American student. When a boy from Taiwan joins his class, Jin doesn't want to be associated with an FOB like him. Jin just wants to be an all-American boy, because he's in love with an all-American girl. Danny is an all-American boy: great at basketball, popular with the girls. But his obnoxious Chinese cousin Chin-Kee's annual visit is such a disaster that it ruins Danny's reputation at school, leaving him with no choice but to transfer somewhere he can start all over again. The Monkey King has lived for thousands of years and mastered the arts of kung fu and the heavenly disciplines. He's ready to join the ranks of the immortal gods in heaven. But there's no place in heaven for a monkey. Each of these characters cannot help himself alone, but how can they possibly help each other? They're going to have to find a way--if they want fix the disasters their lives have become. American Born Chinese is a 2006 National Book Award Finalist for Young People's Literature, the winner of the 2007 Eisner Award for Best Graphic Album: New, an Eisner Award nominee for Best Coloring, a 2007 Bank Street Best Children's Book of the Year, and aNew York Times bestseller. This title has Common Core Connections

A 2017 Eisner Award Winner for Best Writer/Artist, Best US Edition of International Material--Asia, and Best Publication Design Winner of the Singapore Literature Prize 2016 A New York Times bestseller An Economist Book of the Year 2016 An NPR Graphic Novel Pick for 2016 A Washington Post Best Graphic Novel of 2016 A New York Post Best Books of 2016 A Publishers Weekly Best Book of 2016 A South China Morning Post Top 10 Asian books of 2016 An A.V. Club Best Comics of 2016 A Comic Books Resources Top 100 Comics of 2016 A Mental Floss Most Interesting Graphic Novel of 2016 Meet Charlie Chan Hock Chye.   Now in his early 70s, Chan has been making comics in his native Singapore since 1954, when he was a boy of 16. As he looks back on his career over five decades, we see his stories unfold before us in a dazzling array of art styles and forms, their development mirroring the evolution in the political and social landscape of his homeland and of the comic book medium itself.   With The Art of Charlie Chan Hock Chye Sonny Liew has drawn together a myriad of genres to create a thoroughly ingenious and engaging work, where the line between truth and construct may sometimes be blurred, but where the story told is always enthralling, bringing us on a uniquely moving, funny, and thought-provoking journey through the life of an artist and the history of a nation.

Once they were heroes, but the age of heroes has long since passed. Banished from existence by a multiversal crisis, the old champions of Spiral City - Abraham Slam, Golden Gail, Colonel Weird, Madame Dragonfly, and Barbalien - now lead simple lives in an idyllic, timeless farming village from which there is no escape! But as they employ all of their super abilities to free themselves from this strange purgatory, a mysterious stranger works to bring them back into action for one last adventure! Collects Black Hammer #1-#6.

BONE - The Complete Cartoon Epic in One Volume Winner of 41 National and International Awards including 10 Eisner Awards and 11 Harvey Awards! Meet the Bone cousins, Fone Bone, Phoney Bone and Smiley Bone, three misfits who are run out of Boneville and find themselves lost in a vast uncharted desert. They make their way into a deep, forested valley filled with wonderful and terrifying creatures. With the help of the mysterious Thorn, her tough-as-nails Gran'ma Ben and the Great Red Dragon, the boys do their best to survive in the middle of brewing trouble between the valley's denizens. It will be the longest - but funniest- year of their lives! Originally serialized in black & white comic books and graphic novels, the award-winning novel was presented complete and unabridged for the first time in this impressive 1300 page tome preserving the original black & white artwork.

Two classic drawing textbooks from an American comics pioneer, revised and enhanced for a new generation. Based on Will Eisner's legendary course at New York's School of Visual Arts, these guides have inspired generations of artists, students, teachers, and fans. In Comics and Sequential Art, Eisner reveals the basic building blocks and principles of comics, including imagery, the frame, and the application of time, space, and visual forms. Graphic Storytelling and Visual Narrative teaches how to control a story effectively using a broad array of techniques. With examples from Eisner's own catalog and such masters as H. Foster, R. Crumb, Art Spiegelman, Milton Caniff, Al Capp, and George Herriman, these books distill the art of graphic storytelling into principles that every comic artist, writer, and filmmaker should know.

New York Times Bestseller A 2015 Newbery Honor Book Going to school and making new friends can be tough. But going to school and making new friends while wearing a bulky hearing aid strapped to your chest? That requires superpowers! In this funny, poignant graphic novel memoir, author/illustrator Cece Bell chronicles her hearing loss at a young age and her subsequent experiences with the Phonic Ear, a very powerful-and very awkward-hearing aid. The Phonic Ear gives Cece the ability to hear-sometimes things she shouldn't-but also isolates her from her classmates. She really just wants to fit in and find a true friend, someone who appreciates her as she is. After some trouble, she is finally able to harness the power of the Phonic Ear and become "El Deafo, Listener for All." And more importantly, declare a place for herself in the world and find the friend she's longed for.PRAISE FOR EL DEAFOSTARRED REVIEWS "A standout autobiography. Someone readers will enjoy getting to know." --Publishers Weekly, starred review "Worthy of a superhero." --Kirkus Reviews, starred review "This empowering autobiographical story belongs right next to Raina Telgemeier's Smile (2011) and Liz Prince's Tomboy." --Booklist

Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahía de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air that blows in from the sea. As the girls explore their new home, a neighbor lets them in on a secret: There are ghosts in Bahía de la Luna. Maya is determined to meet one, but Cat wants nothing to do with them. As the time of year when ghosts reunite with their loved ones approaches, Cat must figure out how to put aside her fears for her sister's sake -- and her own. Raina Telgemeier has masterfully created a moving and insightful story about the power of family and friendship, and how it gives us the courage to do what we never thought possible.

The comics within capture in intimate, often awkward, but always relatable detail the tribulations and triumphs of life. In particular, the lives of 18 Jewish women artists who bare all in their work, which appeared in the internationally acclaimed exhibition "Graphic Details: Confessional Comics by Jewish Women." The comics are enhanced by original essays and interviews with the artists that provide further insight into the creation of autobiographical comics that resonate beyond self, beyond gender, and beyond ethnicity.

Recounts the artist's own experiences with soldiers engaged not only in the daily hostilities of war but also in larger, more personal combat. This book includes stories that are comical, some heartrending, some frightening.

Winner of the 2018 Eisner Award Winner for Best Scholarly/Academic Work Whether good or evil, beautiful or ugly, smart or downright silly, able-bodied or differently abled, gay or straight, male or female, young or old, Latinx superheroes in mainstream comic book stories are few and far between. It is as if finding the Latinx presence in the DC and Marvel worlds requires activation of superheroic powers. Latinx Superheroes in Mainstream Comics blasts open barriers with a swift kick. It explores deeply and systematically the storyworld spaces inhabited by brown superheroes in mainstream comic book storyworlds: print comic books, animation, TV, and film. It makes visible and lets loose the otherwise occluded and shackled. Leaving nothing to chance, it sheds light on how creators (authors, artists, animators, and directors) make storyworlds that feature Latinos/as, distinguishing between those that we can and should evaluate as well done and those we can and should evaluate as not well done. The foremost expert on Latinx comics, Frederick Luis Aldama guides us through the full archive of all the Latinx superheros in comics since the 1940s. Aldama takes us where the superheroes live--the barrios, the hospitals, the school rooms, the farm fields--and he not only shows us a view to the Latinx content, sometimes deeply embedded, but also provokes critical inquiry into the way storytelling formats distill and reconstruct real Latinos/as. Thoroughly entertaining but seriously undertaken, Latinx Superheroes in Mainstream Comics allows us to truly see how superhero comic book storyworlds are willfully created in ways that make new our perception, thoughts, and feelings.

Will Eisner (1917-2005) saw himself as "a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail." The publication of A Contract With God when Eisner was sixty-one proved to be a watershed moment both for him and for comic literature. It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super's dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner's own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents--the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans--whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner'' most poignant and enduring literary legacy.

Welcome to New York. Here, burning figures roam the streets, men in brightly colored costumes scale the glass and concrete walls, and creatures from space threaten to devour our world. This is the Marvel Universe, where the ordinary and fantastic interact daily. This is the world of Marvels. Witness the birth of this fantastic universe from the inside. See the world's greatest heroes in a different light, with a new awe and a touch of fear. For the first time, experience the Marvel Universe from a whole new perspective - yours.

'Spiegelman has turned the exuberant fantasy of comics inside out by giving us the most incredible fantasy in comics' history: something that actually occurred. MAUS is terrifying not for its brutality, but for its tenderness and guilt' New Yorker MAUS is widely renowned as one of the greatest pieces of art and literature ever written about the Holocaust. It is adored by readers and studied in colleges and universities all over the world. But what led Art Spiegelman to tell his father's story in the first place? Why did he choose to depict the Jews as mice? How could a comic book confront the terror and brutality of the worst atrocity of the twentieth century? To celebrate the 25th anniversary of the book's first publication, MetaMAUS, prepared by the author, is a vital companion to the classic text and includes never-before-seen sketches, rough and alternate drafts, family and reference photos, notebook and diary entries and the transcript of his interviews with his father Vladek as well as a long interview with Art, in which he discusses the book's extraordinary history and origins. The book includes a brand new DVD packed with extra images, video and commentary.

2018 Eisner Award winner, BestWriter 2018 Eisner Award winner, BestPainter/Multimedia Artist 2018 EisnerAward winner, Best Continuing Series

The Nameless City is under siege--held by the rogue Dao prince Erzi, and under attack by a Dao general determined to end the war for the Nameless City for once and for all. And the people of the city--the "Named"--are caught in between.Meanwhile, Rat and Kai must infiltrate Erzi's palace and steal back the ancient and deadly formula for napatha, the weapon of mass destruction he has unearthed from the ancients--before he can use it to destroy everything Rat and Kai hold dear!In her third and final installment in the Nameless City trilogy, Faith Erin Hicks delivers a heart-thumping conclusion. With deft world-building, frantic battle scenes, and a gentle and moving friendship at its heart, the Nameless City has earned its place as one of the great fantasy series of our time.

From Brian K. Vaughan, #1 New York Times bestselling writer of SAGA, andCliff Chiang, legendary artist of WONDER WOMAN, comes the first volume of anall-new ongoing adventure. In the early hours after Halloween of 1988,four 12-year-old

Suddenly, comics are everywhere: a newly matured art form, filling bookshelves with brilliant, innovative work and shaping the ideas and images of the rest of contemporary culture. InReading Comics, critic Douglas Wolk shows us why this is and how it came to be. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Dave Sim to Chris Ware-and introduces a critical theory that explains where each fits into the pantheon of art.Reading Comics is accessible to the hardcore fan and the curious newcomer; it is the first book for people who want to know not just what comics are worth reading, but also the ways to think and talk and argue about them.

One day David Small awoke from a supposedly harmless operation to discover that he had been transformed into a virtual mute. A vocal cord removed, his throat slashed and stitched together like a bloody boot, the fourteen-year-old boy had not been told that he had cancer and was expected to die.In Stitches, Small, the award-winning children's illustrator and author, re-creates this terrifying event in a life story that might have been imagined by Kafka. As the images painfully tumble out, one by one, we gain a ringside seat at a gothic family drama where David--a highly anxious yet supremely talented child--all too often became the unwitting object of his parents' buried frustration and rage.Believing that they were trying to do their best, David's parents did just the reverse. Edward Small, a Detroit physician, who vented his own anger by hitting a punching bag, was convinced that he could cure his young son's respiratory problems with heavy doses of radiation, possibly causing David's cancer. Elizabeth, David's mother, tyrannically stingy and excessively scolding, ran the Small household under a cone of silence where emotions, especially her own, were hidden.Depicting this coming-of-age story with dazzling, kaleidoscopic images that turn nightmare into fairy tale, Small tells us of his journey from sickly child to cancer patient, to the troubled teen whose risky decision to run away from home at sixteen--with nothing more than the dream of becoming an artist--will resonate as the ultimate survival statement.A silent movie masquerading as a book, Stitches renders a broken world suddenly seamless and beautiful again. Finalist for the 2009 National Book Award (Young Adult); finalist for two 2010 Will Eisner Comic Industry Awards (Best Writer/Artist: Nonfiction; Best Reality-Based Work).

The Tea Dragon Society is the two-time Eisner Award-winning gentle fantasy that follows the story of a blacksmith apprentice, and the people she meets as she becomes entwined in the enchanting world of tea dragons. Winner of the 2018 Eisner Award for Best Publication for Kids Winner of the 2018 Eisner Award for Best Webcomic ALA Rainbow List (2018) 2018 Dwayne McDuffie Award for Kids Comics Winner Amazon.com's Best Comics & Graphic Novels (2017) School Library Journal's Top 10 Graphic Novels (2017) "A manga-flavored fairy tale just the right length to pair with a cup of tea." -- Hope Larson (A Wrinkle in Time: The Graphic Novel) "Undeniably whimsical and extremely cute." -- Kirkus From the award-winning author of Princess Princess Ever After comes THE TEA DRAGON SOCIETY, the beloved and charming all-ages book that follows the story of Greta, a blacksmith apprentice, and the people she meets as she becomes entwined in the enchanting world of tea dragons. After discovering a lost tea dragon in the marketplace, Greta learns about the dying art form of tea dragon care-taking from the kind tea shop owners, Hesekiel and Erik. As she befriends them and their shy ward, Minette, Greta sees how the craft enriches their lives--and eventually her own. BONUS CONTENT: Included in this gorgeous, oversized hardcover is "Extracts from the Tea Dragons Handbook", explaining more about the creatures with illustrations of all the dragon breeds not seen in the graphic novel. And don't miss Aquicorn Cove, Katie O'Neill's adorable follow-up to The Tea Dragon Society.

A New York Times bestseller A 2015 Caldecott Honor Book A 2015 Michael L. Printz Honor Book An Eisner Award Winner Every summer, Rose goes with her mom and dad to a lake house in Awago Beach. It's their getaway, their refuge. Rosie's friend Windy is always there, too, like the little sister she never had. But this summer is different. Rose's mom and dad won't stop fighting, and when Rose and Windy seek a distraction from the drama, they find themselves with a whole new set of problems. One of the local teens - just a couple of years older than Rose and Windy - is caught up in something bad... Something life threatening. It's a summer of secrets, and sorrow, and growing up, and it's a good thing Rose and Windy have each other. This One Summer is a tremendously exciting new teen graphic novel from two creators with true literary clout. Cousins Mariko and Jillian Tamaki, the team behind Skim, have collaborated on this gorgeous, heartbreaking, and ultimately hopeful story about a girl on the cusp of childhood - a story of renewal and revelation. This title has Common Core connections.

Wolverine. Deadpool. Doctor Doom. Thanos. There's one hero who's beaten them all, and now she's got her own book! And to celebrate she's set her sights even higher - much higher. We're talking Galactus! But first Doreen Green, aka Squirrel Girl, is starting college, making new friends, eating nuts and kicking butts, not necessarily in that order! Together with her best (human) pal Nancy, and her best (squirrel) pal Tippy-Toe, and armed only with a tail and some foe fact-filled trading cards, she'll take on villains including Kraven the Hunter, Whiplash and, oh, yeah, the Devourer of Worlds! COLLECTING: THE UNBEATABLE SQUIRREL GIRL (2015A) 1-8, MARVEL SUPER-HEROES (1990) 8, GLX-MAS SPECIAL 1, THE THING 8, AGE OF HEROES 3

"You must read this book." --Neil Gaiman The bestselling international classic on storytelling and visual communication Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.

This is a biography of celebrated American cartoonist Will Eisner.

The world already knows Meg and Charles Wallace Murry, Calvin O'Keefe, and the three Mrs--Who, Whatsit, and Which--the memorable and wonderful characters who fight off a dark force and save our universe in the Newbery award-winning classicA Wrinkle in Time. But in 50 years of publication, the book has never been illustrated. Now, Hope Larson takes the classic story to a new level with her vividly imagined interpretations of tessering and favorite characters like the Happy Medium and Aunt Beast. Perfect for old fans and winning over new ones, this graphic novel adaptation is a must-read.

Although the heroism of last century's freedom marches will long be credited for ending racial discrimination, civil rights legislation owes much to work done more quietly in the district courtrooms of the South. This book expands our understanding of how the Voting Rights Act came about by focusing on several key cases in Alabama that paved the way for this landmark legislation. Brian Landsberg--himself a participant in many of these trials--argues that Department of Justice litigation contributed significantly to the content of the landmark 1965 Voting Rights Act. His close analysis of these trials shows how they helped pave the way for the dramatic expansion of federal power in combating racist enforcement of voting laws. Focusing on three out of the seventy voting rights cases filed between 1957 and 1965, he reveals how the DOJ, newly armed with authority to bring civil suits against voting discrimination, aggressively pursued its efforts to enforce the Reconstruction Amendments. These cases in Elmore, Sumter, and Perry counties helped to expose the chasm between the objectives of the Fifteenth Amendment and the practices of southern voter registrars--and the equally deep chasm between practices in the Deep South and those in the rest of the country--by showing that a simple requirement of racial neutrality wasn't enough to guard against discrimination. The VRA adopted many of the stringent remedies that emerged from these trials, including the appointment of federal officials to observe elections and maintain lists of eligible voters and the need for federal approval for changes in local voting procedures. Landsberg highlights a long-neglected but vitally important chapter in the history of the civil rights movement and puts a human face on the struggle for the right to vote, enhancing our understanding of the efforts blacks made to register, the doubts of even moderate whites, and the role of federal agents in protecting voter rights. His study is especially welcome in light of the controversy surrounding the VRA's recent renewal in 2006, which caught glimpses of the pre-VRA South, and current concerns over new and emerging forms of disenfranchisement.

Winner of the 2019 Christopher Award Oprah's Book Club Summer 2018 Selection The InstantNew York TimesBestseller A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit. "An amazing and heartwarming story, it restores our faith in the inherent goodness of humanity." - Archbishop Desmond Tutu In 1985, Anthony Ray Hinton was arrested and charged with two counts of capital murder in Alabama. Stunned, confused, and only twenty-nine years old, Hinton knew that it was a case of mistaken identity and believed that the truth would prove his innocence and ultimately set him free. But with no money and a different system of justice for a poor black man in the South, Hinton was sentenced to death by electrocution. He spent his first three years on Death Row at Holman State Prison in agonizing silence--full of despair and anger toward all those who had sent an innocent man to his death. But as Hinton realized and accepted his fate, he resolved not only to survive, but find a way to live on Death Row. For the next twenty-seven years he was a beacon--transforming not only his own spirit, but those of his fellow inmates, fifty-four of whom were executed mere feet from his cell. With the help of civil rights attorney and bestselling author ofJust Mercy, Bryan Stevenson, Hinton won his release in 2015. With a foreword by Stevenson,The Sun Does Shine is an extraordinary testament to the power of hope sustained through the darkest times. Destined to be a classic memoir of wrongful imprisonment and freedom won, Hinton's memoir tells his dramatic thirty-year journey and shows how you can take away a man's freedom, but you can't take away his imagination, humor, or joy.

Drawing from government data, legislative history, Supreme Court decisions, survey results, and the 2006 reauthorization debate, When the Letter Betrays the Spirit examines how executive and judicial discretion facilitates violations of the Voting Rights act. Connecting Johnson to Obama, the book challenges the executive-centered model of leadership and proffers a Congress-centered approach to protecting voting rights. This approach would both satisfy the goals of the black civil rights movement and give fuller support to the Fifteenth Amendment.

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person -- no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.

MacArthur Genius and National Book Award-winner T- Nehisi Coates (Between the World and Me) takes the helm, confronting T'Challa with a dramatic upheaval in Wakanda. When a superhuman terrorist group that calls itself The People sparks a violent uprising, the land famed for its incredible technology and proud warrior traditions will be thrown into turmoil. If Wakanda is to survive, it must adapt - but can its monarch survive the necessary change? Collecting: Black Panther 1-4

*WINNER of the NATIONAL BOOK AWARD for FICTION *A TIME MAGAZINE BEST NOVEL OF THE YEAR and A NEW YORK TIMES TOP 10 OF 2017 *Finalist for the Kirkus Prize *Finalist for the Andrew Carnegie Medal *Finalist for the Aspen Words Literary Prize *Publishers Weekly Top 10 of 2017 *Finalist for the National Book Critics Circle Award "The heart of Jesmyn Ward's Sing, Unburied, Sing is story--the yearning for a narrative to help us understand ourselves, the pain of the gaps we'll never fill, the truths that are failed by words and must be translated through ritual and song...Ward's writing throbs with life, grief, and love, and this book is the kind that makes you ache to return to it." --Buzzfeed In Jesmyn Ward's first novel since her National Book Award-winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi's past and present, examining the ugly truths at the heart of the American story and the power--and limitations--of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. He doesn't lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won't acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister's lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children's father is White. She wants to be a better mother but can't put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children's father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward's distinctive, lyrical language, Sing, Unburied, Sing is a majestic new work and an unforgettable family story.

Gwendolyn Brooks' only novel, Maud Martha is a prose poem coming-of-age story about a girl growing up in the Black neighborhoods of Chicago. Initially entitled "American Family Brown" -- a challenging, essential look at urban black life, with all its beauty and pain.

In Larsen's second novel, “Passing,” first published in 1929, the author revisits the theme of the struggle for racial identity by children of mixed-race. The novel details the lives of two childhood friends, Clare Kendry and Irene Redfield, both of whom are of mixed African and European ancestry and are “passing” as whites. The novel picks up in the lives of the two as they later reunite in adulthood. An ambiguous relation develops between the two as they share a fascination for how each other's lives have transpired since they last knew each other. Larsen's work has been lauded for its exploration of race, gender, class, and sexuality amongst African Americans in early part of the 20th century. Now considered as a major figure of the Harlem Renaissance, Larsen's writing gives a firsthand insight into the struggle of African Americans during this era.

"From the first page you know you're in the hands of an exceptional writer... I adored this book." --Zadie Smith "Sexy and radical and intimate." --Miranda July Named a Best Book of 2016 by VICE, Elle, Nylon, Publishers Weekly and NPR Named one of the most anticipated books of the fall by the Huffington Post, New York, The Boston Globe, Lit Hub, and The Millions Now available in Ecco's Art of the Story series: a never-before-published collection of stories from a brilliant yet little known African American artist and filmmaker--a contemporary of revered writers including Toni Cade Bambara, Laurie Colwin, Ann Beattie, Amy Hempel, and Grace Paley--whose prescient work has recently resurfaced to wide acclaim. Humorous, poignant, perceptive, and full of grace, Kathleen Collins's stories masterfully blend the quotidian and the profound in a personal, intimate way, exploring deep, far-reaching issues--race, gender, family, and sexuality--that shape the ordinary moments in our lives. In "The Uncle," a young girl who idolizes her handsome uncle and his beautiful wife makes a haunting discovery about their lives. In "Only Once," a woman reminisces about her charming daredevil of a lover and his ultimate--and final--act of foolishness. Collins's work seamlessly integrates the African-American experience in her characters' lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader's head and heart. Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.