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Henry Shackleford is a young slave living in the Kansas Territory in 1857, the region a battlefield between anti and pro slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an arguement between Brown and Henry's master quickly turns violent. Henry is forced to leave town with Brown, who believes Henry is a girl. Over the next months, Henry conceals his true identity as he struggles to stay alive. He finds himeself with Brown at the historic raid on Harper's Ferry, one of the catalysts for the civil war.

Named a Best Book of 2013 by The New York × Vogue; O, The Oprah Magazi≠ Time; Bookish; New York magazi≠ The New Yorker; Slate; Flavorwire; Publishers Weekly; Kirkus Reviews; Salon; and Complex. Rachel Kushner’s The Flamethrowers, a finalist for the National Book Award, was just named a Top Ten Book of 2013 by the New York Times Book Review and one of Time magazine’s top ten fiction books. Kushner’s first novel, Telex from Cuba, was also a finalist for a National Book Award and was reviewed on the cover of The New York Times Book Review. The Flamethrowers, even more ambitious and brilliant, is the riveting story of a young artist and the worlds she encounters in New York and Rome in the mid-1970s—by turns underground, elite, and dangerous. The year is 1975 and Reno—so-called because of the place of her birth—has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

National Book Award Finalist Shortlisted for the 2013 Man Booker Prize From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.   Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up.  But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan--charismatic and impulsive--finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother's political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America. But when Subhash learns what happened to his brother in the lowland outside their family's home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind--including those seared in the heart of his brother's wife. Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.

It is 2001 in New York City, in the lull between the collapse of the dot-com boom and the terrible events of September 11th. Silicon Alley is a ghost town, Web 1.0 is having adolescent angst, Google has yet to IPO, Microsoft is still considered the Evil Empire. There may not be quite as much money around as there was at the height of the tech bubble, but there’s no shortage of swindlers looking to grab a piece of what’s left. Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethics—carry a Beretta, do business with sleazebags, hack into people’s bank accounts—without having too much guilt about any of it. Otherwise, just your average working mom—two boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhood—till Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler’s aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course. With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we’ve journeyed to since. Will perpetrators be revealed, forget about brought to justice? Will Maxine have to take the handgun out of her purse? Will she and Horst get back together? Will Jerry Seinfeld make an unscheduled guest appearance? Will accounts secular and karmic be brought into balance?

One of the most important and blazingly original writers of his generation, George Saunders is an undisputed master of the short story, and Tenth of December is his most honest, accessible, and moving collection yet.   In the taut opener, "Victory Lap," a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees, or override years of smothering advice from his parents and act? In "Home," a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left with the one to which he has returned. And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antiques store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill--the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders's signature blend of exuberant prose, deep humanity, and stylistic innovation.   Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.   Unsettling, insightful, and hilarious, the stories in Tenth of December--through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit--not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."

InPacific, Tom Drury revisits the community of Grouse County, the setting of his landmark debut,The End of Vandalism. When fourteen-year-old Micah Darling travels to Los Angeles to reunite with the mother who abandoned him seven years ago, he finds himself out of his league in a land of magical freedom. Back in the Midwest, an ethereal young woman comes to Stone City on a mission that will unsettle the lives of everyone she meets--including Micah's half-sister, Lyris, and his father, Tiny, a petty thief. An investigation into the stranger's identity uncovers a darkly disturbed life, as parallel narratives of the comic and tragic, the mysterious and quotidian, unfold in both the country and the city. (Expert from Amazon)

Ashaunt Point, Massachusetts, has anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. That summer, the two older Porter girls--teenagers Helen and Dossie--run wild while their only brother, Charlie, goes off to train for war. The children's Scottish nurse, Bea, falls in love. And youngest daughter Janie is entangled in an incident that cuts the season short.  An unforgettable portrait of one family's journey through the second half of the twentieth century, Elizabeth Graver's The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us. (Excerpt from Amazon

In a small rural village in Chechnya, eight-year-old Havaa watches from the woods as Russian soldiers abduct her father in the middle of the night and then set fire to her home. When their lifelong neighbor Akhmed finds Havaa hiding in the forest with a strange blue suitcase, he makes a decision that will forever change their lives. He will seek refuge at the abandoned hospital where the sole remaining doctor, Sonja Rabina, treats the wounded. For Sonja, the arrival of Akhmed and Havaa is an unwelcome surprise. Weary and overburdened, she has no desire to take on additional risk and responsibility. But over the course of five extraordinary days, Sonja's world will shift on its axis and reveal the intricate pattern of connections that weaves together the pasts of these three unlikely companions and unexpectedly decides their fate. A story of the transcendent power of love in wartime, A Constellation of Vital Phenomena is a work of sweeping breadth, profound compassion, and lasting significance. (Excerpt from Amazon)

An ordinary life--its sharp pains and unexpected joys, its bursts of clarity and moments of confusion--lived by an ordinary woman: this is the subject of Someone, Alice McDermott's extraordinary return, seven years after the publication of After This. Scattered recollections--of childhood, adolescence, motherhood, old age--come together in this transformative narrative, stitched into a vibrant whole by McDermott's deft, lyrical voice. Our first glimpse of Marie is as a child: a girl in glasses waiting on a Brooklyn stoop for her beloved father to come home from work. A seemingly innocuous encounter with a young woman named Pegeen sets the bittersweet tone of this remarkable novel. Pegeen describes herself as an "amadan," a fool; indeed, soon after her chat with Marie, Pegeen tumbles down her own basement stairs. The magic of McDermott's novel lies in how it reveals us all as fools for this or that, in one way or another. Marie's first heartbreak and her eventual marriage; her brother's brief stint as a Catholic priest, subsequent loss of faith, and eventual breakdown; the Second World War; her parents' deaths; the births and lives of Marie's children; the changing world of her Irish-American enclave in Brooklyn--McDermott sketches all of it with sympathy and insight. This is a novel that speaks of life as it is daily lived; a crowning achievement by one of the finest American writers at work today. (Excerpt from Amazon)

When is it wise to be a fool for something? What makes people want to be better than they are? From New York to India to Paris, from the Catholic Worker movement to Occupy Wall Street, the characters in Joan Silber’s dazzling new story cycle tackle this question head-on. Vera, the shy, anarchist daughter of missionary parents, leaves her family for love and activism in New York. A generation later, her own doubting daughter insists on the truth of being of two minds, even in marriage. The adulterous son of a Florida hotel owner steals money from his family and departs for Paris, where he takes up with a young woman and finds himself outsmarted in turn. Fools ponders the circle of winners and losers, dupers and duped, and the price we pay for our beliefs. (Excerpt from Amazon)

A riveting examination of a nation in crisis, from one of the finest political journalists of our generation American democracy is beset by a sense of crisis. Seismic shifts during a single generation have created a country of winners and losers, allowing unprecedented freedom while rending the social contract, driving the political system to the verge of breakdown, and setting citizens adrift to find new paths forward. InThe Unwinding, George Packer, author ofThe Assassins' Gate: America in Iraq, tells the story of the United States over the past three decades in an utterly original way, with his characteristically sharp eye for detail and gift for weaving together complex narratives. The Unwindingjourneys through the lives of several Americans, including Dean Price, the son of tobacco farmers, who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the Rust Belt trying to survive the collapse of her city; Jeff Connaughton, a Washington insider oscillating between political idealism and the lure of organized money; and Peter Thiel, a Silicon Valley billionaire who questions the Internet's significance and arrives at a radical vision of the future. Packer interweaves these intimate stories with biographical sketches of the era's leading public figures, from Newt Gingrich to Jay-Z, and collages made from newspaper headlines, advertising slogans, and song lyrics that capture the flow of events and their undercurrents. The Unwindingportrays a superpower in danger of coming apart at the seams, its elites no longer elite, its institutions no longer working, its ordinary people left to improvise their own schemes for success and salvation. Packer's novelistic and kaleidoscopic history of the new America is his most ambitious work to date.

From one of our most accomplished and widely admired historians, a revelatory portrait of Benjamin Franklin's youngest sister and a history of history itself. Like her brother, Jane Franklin was a passionate reader, a gifted writer, and an astonishingly shrewd political commentator. Unlike him, she was a mother of twelve. Benjamin Franklin, who wrote more letters to his sister than he wrote to anyone else, was the original American self-made man; his sister spent her life caring for her children. They left very different traces behind. Making use of an amazing cache of little-studied material, including documents, objects, and portraits only just discovered, Jill Lepore brings Jane Franklin to life in a way that illuminates not only this one woman but an entire world--a world usually lost to history. Lepore's life of Jane Franklin, with its strikingly original vantage on her remarkable brother, is at once a wholly different account of the founding of the United States and one of the great untold stories of American history and letters: a life unknown.

Wendy Lower's stunning account of the role of German women on the World War II Nazi eastern front powerfully revises history, proving that we have ignored the reality of women's participation in the Holocaust, including as brutal killers. The long-held picture of German women holding down the home front during the war, as loyal wives and cheerleaders for the F#65533;hrer, pales in comparison to Lower's incisive case for the massive complicity, and worse, of the 500,000 young German women she places, for the first time, directly in the killing fields of the expanding Reich. Hitler's Furies builds a fascinating and convincing picture of a morally "lost generation" of young women, born into a defeated, tumultuous post-World War I Germany, and then swept up in the nationalistic fervor of the Nazi movement--a twisted political awakening that turned to genocide. These young women--nurses, teachers, secretaries, wives, and mistresses--saw the emerging Nazi empire as a kind of "wild east" of career and matrimonial opportunity, and yet could not have imagined what they would witness and do there. Lower, drawing on twenty years of archival and field work on the Holocaust, access to post-Soviet documents, and interviews with German witnesses, presents overwhelming evidence that these women were more than "desk murderers" or comforters of murderous German men: that they went on "shopping sprees" for Jewish-owned goods and also brutalized Jews in the ghettos of Poland, Ukraine, and Belarus; that they were present at killing-field picnics, not only providing refreshment but also taking their turn at the mass shooting. And Lower uncovers the stories, perhaps most horrific, of SS wives with children of their own, whose female brutality is as chilling as any in history. Hitler's Furies will challenge our deepest beliefs: genocide is women's business too, and the evidence can be hidden for seventy years.

Frederick Douglass recalled that slaves living along Chesapeake Bay longingly viewed sailing ships as "freedom's swift-winged angels." In 1813 those angels appeared in the bay as British warships coming to punish the Americans for declaring war on the empire. Over many nights, hundreds of slaves paddled out to the warships seeking protection for their families from the ravages of slavery. The runaways pressured the British admirals into becoming liberators. As guides, pilots, sailors, and marines, the former slaves used their intimate knowledge of the countryside to transform the war. They enabled the British to escalate their onshore attacks and to capture and burn Washington, D.C. Tidewater masters had long dreaded their slaves as "an internal enemy." By mobilizing that enemy, the war ignited the deepest fears of Chesapeake slaveholders. It also alienated Virginians from a national government that had neglected their defense. Instead they turned south, their interests aligning more and more with their section. In 1820 Thomas Jefferson observed of sectionalism: "Like a firebell in the night [it] awakened and filled me with terror. I considered it at once the knell of the union." The notes of alarm in Jefferson's comment speak of the fear aroused by the recent crisis over slavery in his home state. His vision of a cataclysm to come proved prescient. Jefferson's startling observation registered a turn in the nation's course, a pivot from the national purpose of the founding toward the threat of disunion. Drawn from new sources, Alan Taylor's riveting narrative re-creates the events that inspired black Virginians, haunted slaveholders, and set the nation on a new and dangerous course.

National Book Award Finalist A clear-sighted revelation, a deep penetration into the world of Scientology by the Pulitzer Prize-winning author of The Looming Tower, the now-classic study of al-Qaeda's 9/11 attack. Based on more than two hundred personal interviews with current and former Scientologists--both famous and less well known--and years of archival research, Lawrence Wright uses his extraordinary investigative ability to uncover for us the inner workings of the Church of Scientology. At the book's center, two men whom Wright brings vividly to life, showing how they have made Scientology what it is today: The darkly brilliant science-fiction writer L. Ron Hubbard, whose restless, expansive mind invented a new religion. And his successor, David Miscavige--tough and driven, with the unenviable task of preserving the church after the death of Hubbard. We learn about Scientology's complicated cosmology and special language. We see the ways in which the church pursues celebrities, such as Tom Cruise and John Travolta, and how such stars are used to advance the church's goals. And we meet the young idealists who have joined the Sea Org, the church's clergy, signing up with a billion-year contract. In Going Clear, Wright examines what fundamentally makes a religion a religion, and whether Scientology is, in fact, deserving of this constitutional protection. Employing all his exceptional journalistic skills of observation, understanding, and shaping a story into a compelling narrative, Lawrence Wright has given us an evenhanded yet keenly incisive book that reveals the very essence of what makes Scientology the institution it is.

Over the centuries, Florida has been many things: an unconquered realm protected by geography, a wilderness that ruined Spanish conquistadors, "god's waiting room," and a place to start over. Depopulated after the extermination of its original native population, today it's home to nineteen million. The site of vicious racial violence, including massacres, slavery, and the roll-back of Reconstruction, Florida is now one of our most diverse states, a dynamic multicultural place with an essential role in 21st-century America.In Finding Florida, journalist T.D. Allman reclaims the remarkable history of Florida from the state's mythologizers, apologists, and boosters. Allman traces the discovery, exploration, and settlement of Florida, its transformation from a swamp to "paradise." Palm Beach, Key West, Miami, Tampa, and Orlando boomed, fortunes were won and lost, land was stolen and flipped, and millions arrived. (Excerpt from Amazon)

A passionate student of Japanese poetry, theater, and art for much of her life, Gretel Ehrlich felt compelled to return to the earthquake-and-tsunami-devastated Tohoku coast to bear witness, listen to survivors, and experience their terror and exhilaration in villages and towns where all shelter and hope seemed lost. In an eloquent narrative that blends strong reportage, poetic observation, and deeply felt reflection, she takes us into the upside-down world of northeastern Japan, where nothing is certain and where the boundaries between living and dying have been erased by water. (Excerpt from Amazon)

Growing up, Scott C. Johnson always suspected that his father was different. Only as a teenager did he discover the truth: his father was a spy, one of the CIA's most trusted officers. At first the secret was thrilling. But over time Scott began to have doubts. How could a man so rigorously trained to deceive and manipulate simply turn off those skills at home? His father had been living a double life for so long that his lies were hard to separate from the truth.When Scott embarked on a career as a foreign correspondent, he found himself returning to many of the troubled countries of his youth. In the dusty streets of Pakistan and Afghanistan, amid the cold urbanity of Yugoslavia, and down the mysterious alleys of Mexico City, he came face to face with his father's murky past--and his own complicity in it. Scott learned that his chosen profession was not so different from his father's: they both worked to gain people's trust and to uncover their secrets. The only difference was what they did with that information.In the aftermath of 9/11, father and son found themselves on assignment in Afghanistan and the Middle East, one as a CIA contractor, the other as a reporter for Newsweek. Suddenly, an unsettled Scott was forced to keep his father's secret all over again. As their professional lives collided, Scott and his father inched toward a personal reckoning, struggling to overcome a lifetime of suspicion and deception. (Excerpt from Amazon)

Edward Kennedy “Duke” Ellington was the greatest jazz composer of the twentieth century—and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world’s most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like “Mood Indigo” and “Sophisticated Lady,” remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm.   As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. Duke peels away countless layers of Ellington’s evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, “All the musicians should get together one certain day and get down on their knees and thank Duke.”

InIncarnadine, Mary Szybist restlessly seeks out places where meaning might take on new color. One poem is presented as a diagrammed sentence. Another is an abecedarium made of lines of dialogue spoken by girls overheard while assembling a puzzle. Several poems arrive as a series of Annunciations, while others purport to give an update on Mary, who must finish the dishes before she will open herself to God. One poem appears on the page as spokes radiating from a wheel, or as a sunburst, or as the cycle around which all times and all tenses are alive in this moment. Szybist's formal innovations are matched by her musical lines, by her poetry's insistence on singing as a lure toward the unknowable. Inside these poems is a deep yearning--for love, motherhood, the will to see things as they are and to speak. Beautiful and inventive,Incarnadine is the new collection by one of America's most ambitious poets.

In "Those Nights," Frank Bidart writes: "We who could get / somewhere through / words through / sex could not." Words and sex, art and flesh: In Metaphysical Dog, Bidart explores their nexus. The result stands among this deeply adventurous poet's most powerful and achieved work, an emotionally naked, fearlessly candid journey through many of the central axes, the central conflicts, of his life, and ours. Near the end of the book, Bidart writes: In adolescence, you thought your work ancient work: to decipher at last human beings' relation to God. Decipher love. To make what was once whole whole again: or to see why it never should have been thought whole. This "ancient work" reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the "hunger for the Absolute"--a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled "History is a series of failed revelations." The result is one of the most fascinating and ambitious books of poetry in many years. One of Publishers Weekly's Best Poetry Books of 2013 A New York Times Notable Book of 2013 An NPR Best Book of 2013

Stay, Illusion, the much-anticipated volume of poems by Lucie Brock-Broido, illuminates the broken but beautiful world she inhabits. Her poems are lit with magic and stark with truth: whether they speak from the imagined dwelling of her "Abandonarium," or from habitats where animals are farmed and harmed "humanely," or even from the surreal confines of death row, they find a voice like no other--dazzling, intimate, startling, heartbreaking. Eddying between the theater of the lavish and the enigmatic, between the gaudy and the unadorned, Brock-Broido's verse scours America for material to render unflinchingly the here and now. Grandeur devolves into a comic irony: "We have come to terms with our Self / Like a marmoset getting out of her Great Ape suit." She dares the unexplained: "The wings were left ajar / At the altar where I've knelt all night, trembling, leaning, rough / As sugar raw, and sweet." Each poem is a rebellious chain of words: "Be good, they said, and so too I was / Good until I was not." Strange narratives, interior and exterior, make a world that is foreign and yet our own; like Dickinson, Brock-Broido constructs a spider-sibling, commanding the "silk spool of the recluse as she confects her eventual mythomania." And why create the web? Because: "If it is written down, you can't rescind it."

The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.

In his moving debut collection, Matt Rasmussen faces the tragedy of his brother s suicide, refusing to focus on the expected pathos, blurring the edge between grief and humor. In Outgoing, the speaker erases his brother s answering machine message to save his family from the shame of dead you / answering calls. In other poems, once-ordinary objects become dreamlike. A buried light bulb blooms downward, a flower / of smoldering filaments. A refrigerator holds an evening landscape, a tinfoil lake, vegetables / dying in the crisper. Destructive and redemptive, Black Aperture opens to the complicated entanglements of mourning: damage and healing, sorrow and laughter, and torment balanced with moments of relief.

Bury My Clothes, a finalist for the 2013 National Book Award for poetry, is a meditation on violence, race, and the place in art at which they intersect. Art--specifically in oppressed communities--is about survival, Roger Bonair-Agard asserts, and establishing personhood in a world that says you have none. Through poetry, we transform both the world of art and the world itself. (Excerpt from Amazon)

Raconteur, poet, and NPR commentator Andrei Codrescu delivers in his inimitable, irreverent style a collection that traverses subjects from aging to consumerism, to religion to mass media. Brilliantly funny yet deeply insightful, these poems illuminate Codrescu's acerbic tone and outsized personality and capture the best of his oeuvre. Andrei Codrescu was born in Sibiu, Romania, in 1946, and immigrated to the United States in 1966. The author of more than thirty-five books, Codrescu has edited the literary magazineExquisite Corpse, and his provocative commentary is featured regularly on National Public Radio'sAll Things Considered. Codrescu currently resides in Arkansas. (Excerpt from Amazon)

Fire-- its physical, symbolic, political, and spiritual forms--is the fourth and final subject in Brenda Hillman's masterful series on the elements. Her previous volumes--Cascadia, Pieces of Air in the Epic, Practical Water--have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. (Excerpt from Amazon)

Rainy night on Union Square, full moon. Want more poems? Wait till I'm dead.--Allen Ginsberg, August 8, 1990, 3:30 A.M. The first new Ginsberg collection in over fifteen years,Wait Till I'm Dead is a landmark publication, edited by renowned Ginsberg scholar Bill Morgan and introduced by award-winning poet and Ginsberg enthusiast Rachel Zucker. Ginsberg wrote incessantly for more than fifty years, often composing poetry on demand, and many of the poems collected in this volume were scribbled in letters or sent off to obscure publications and unjustly forgotten.Wait Till I'm Dead, which spans the whole of Ginsberg's long writing career, from the 1940s to the 1990s, is a testament to Ginsberg's astonishing writing and singular aesthetics. Following the chronology of his life,Wait Till I'm Dead reproduces the poems together with extensive notes. Containing 104 previously uncollected poems and accompanied by original photographs,Wait Till I'm Dead is the final major contribution to Ginsberg's sprawling oeuvre, a must-read for Ginsberg neophytes and longtime fans alike.

Transfer of Qualities addresses the uncanny and myriad ways in which people and things, but also people and those around them, exchange qualities with one another, moving in on, unsettling: altering stance, attitude, mood, gesture. Each entry in the book probes the dissolving boundaries between those sharing space with one another; and the various cross-genres in the book—prose poem, creative non-fiction, personal essay—echo the theme of inter-dependence. Material things often seem amazingly alive and tropic—a puppet or toy, a plate, a rug underfoot, a dim photograph on the wall across the way—and this collection follows in the footsteps of other authors also obsessed with the boundaries between life and death, the moving and the still, the stone-like book and the vivid stirring within the pages. There are many authors behind Transfer of Qualities, but the major genie of the piece is Henry James whose musings on his own, The Sacred Fount, provided the book’s title and direction. (Excerpt from Amazon)

The winner of the National Book Award for Young People’s Literature, from Newbery Medalist Cynthia Kadohata. There is bad luck, good luck, and making your own luck—which is exactly what Summer must do to save her family. Summer knows that kouun means “good luck” in Japanese, and this year her family has none of it. Just when she thinks nothing else can possibly go wrong, an emergency whisks her parents away to Japan—right before harvest season. Summer and her little brother, Jaz, are left in the care of their grandparents, who come out of retirement in order to harvest wheat and help pay the bills. The thing about Obaachan and Jiichan is that they are old-fashioned and demanding, and between helping Obaachan cook for the workers, covering for her when her back pain worsens, and worrying about her lonely little brother, Summer just barely has time to notice the attentions of their boss’s cute son. But notice she does, and what begins as a welcome distraction from the hard work soon turns into a mess of its own. Having thoroughly disappointed her grandmother, Summer figures the bad luck must be finished—but then it gets worse. And when that happens, Summer has to figure out how to change it herself, even if it means further displeasing Obaachan. Because it might be the only way to save her family. Cynthia Kadohata’s ode to the breadbasket of America has received six starred reviews and was selected as a National Book Award Finalist.

Gene Luen Yang is the National Ambassador for Young People's Literature and is a MacArthur Fellow, a recipient of what's popularly known as the MacArthur "Genius" Grant. ANew York Times bestseller China,1898. Bands of foreign missionaries and soldiers roam the countryside, bullying and robbing Chinese peasants. Little Bao has had enough. Harnessing the powers of ancient Chinese gods, he recruits an army of Boxers - commoners trained in kung fu who fight to free China from "foreign devils." Against all odds, this grass-roots rebellion is violently successful. But nothing is simple. Little Bao is fighting for the glory of China, but at what cost? So many are dying, including thousands of "secondary devils" - Chinese citizens who have converted to Christianity. Boxers & Saintsis an innovative new graphic novel in two volumes - the parallel stories of two young people caught up on opposite sides of a violent rift.American Born Chineseauthor Gene Luen Yang brings his clear-eyed storytelling and trademark magical realism to the complexities of the Boxer Rebellion and lays bare the foundations of extremism, rebellion, and faith. Discover the other side of the Boxer Rebellion inSaints -the companion volume toBoxers.

Meet Bingo and J'miah, raccoon brothers on a mission to save Sugar Man Swamp in this National Book Award finalist from Newbery Honoree Kathi Appelt. Raccoon brothers Bingo and J'miah are the newest recruits of the Official Sugar Man Swamp Scouts. The opportunity to serve the Sugar Man--the massive creature who delights in delicious sugar cane and magnanimously rules over the swamp--is an honor, and also a big responsibility, since the rest of the swamp critters rely heavily on the intel of these hardworking Scouts. Twelve-year-old Chap Brayburn is not a member of any such organization. But he loves the swamp something fierce, and he'll do anything to help protect it. And help is surely needed, because world-class alligator wrestler Jaeger Stitch wants to turn Sugar Man swamp into an Alligator World Wrestling Arena and Theme Park, and the troubles don't end there. There is also a gang of wild feral hogs on the march, headed straight toward them all. The Scouts are ready. All they have to do is wake up the Sugar Man. Problem is, no one's been able to wake that fellow up in a decade or four... Newbery Honoree and National Book Award finalist Kathi Appelt's story of care and conservation has received five starred reviews, was selected as a National Book Award finalist, and is funny as all get out and ripe for reading aloud.

Printz Award-winning author Meg Rosoff's latest novel is a gorgeous and unforgettable page-turner about the relationship between parents and children, love and loss. Mila has an exceptional talent for reading a room—sensing hidden facts and unspoken emotions from clues that others overlook. So when her father’s best friend, Matthew, goes missing from his upstate New York home, Mila and her beloved father travel from London to find him. She collects information about Matthew from his belongings, from his wife and baby, from the dog he left behind and from the ghosts of his past—slowly piecing together the story everyone else has missed. But just when she’s closest to solving the mystery, a shocking betrayal calls into question her trust in the one person she thought she could read best.   

A dark, contemporary fairy tale in the tradition of Neil Gaiman. Jeremy Johnson Johnson hears voices. Or, specifically, one voice: the ghost of Jacob Grimm, one half of The Brothers Grimm. Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But Jacob can't protect Jeremy from everything. When coltish, copper-haired Ginger Boultinghouse takes a bite of a cake so delicious it's rumored to be bewitched, she falls in love with the first person she sees: Jeremy. In any other place, this would be a turn for the better for Jeremy, but not in Never Better, where the Finder of Occasions--whose identity and evil intentions nobody knows--is watching and waiting, waiting and watching. . . And as anyone familiar with the Brothers Grimm know, not all fairy tales have happy endings. Veteran writer Tom McNeal has crafted a young adult novel at once grim(m) and hopeful, full of twists, and perfect for fans of contemporary fairy tales like Neil Gaiman's The Graveyard Book and Holly Black's Doll Bones. The recipient of five starred reviews, Publishers Weekly called Far Far Away "inventive and deeply poignant."

Holy unanticipated occurrences! A cynic meets an unlikely superhero in a genre-breaking new novel by master storyteller Kate DiCamillo. It begins, as the best superhero stories do, with a tragic accident that has unexpected consequences. The squirrel never saw the vacuum cleaner coming, but self-described cynic Flora Belle Buckman, who has read every issue of the comic book Terrible Things Can Happen to You!, is just the right person to step in and save him. What neither can predict is that Ulysses (the squirrel) has been born anew, with powers of strength, flight, and misspelled poetry -- and that Flora will be changed too, as she discovers the possibility of hope and the promise of a capacious heart.

Told in multiple viewpoints, A Tangle of Knots is a magnificent puzzle. In a slightly magical world where everyone has a Talent, eleven-year-old Cady is an orphan with a phenomenal Talent for cake baking. But little does she know that fate has set her on a journey from the moment she was born. And her destiny leads her to a mysterious address that houses a lost luggage emporium, an old recipe, a family of children searching for their own Talents, and a Talent Thief who will alter her life forever. However, these encounters hold the key to Cady's past and how she became an orphan. If she's lucky, fate may reunite her with her long-lost parent.  Lisa Graff adds a pinch of magic to a sharply crafted plot to create a novel that will have readers wondering about fate and the way we're all connected.

A heart-stopping story of love, death, technology, and art set amid the lush tropics of a futuristic Brazil. The lush city of Palmares Tres shimmers with tech and tradition, with screaming gossip casters and practiced politicians. In the midst of its heat, June Costa creates art that's sure to make her legendary. But her dreams of fame become something more when she meets Enki, the bold, new Summer King. The whole city falls in love with him (including June's best friend, Gil). But June sees more to Enki than dark chocolate eyes and a lethal samba. She sees a fellow artist. Together, June and Enki will create art that Palmares Tres will never forget. They will add fuel to a growing rebellion against the government's strict limits on new tech. And June will fall deeply, unfortunately in love with Enki. Because like all Summer Kings before him, Enki is destined to die. Pulsing with the beat of futuristic Brazil, burning with the passions of its characters, and overflowing with ideas, this is a novel that will leave you hot and shaken and eager for more from Alaya Dawn Johnson.

In his follow-up to tthe New York Times bestselling author of Every Day, andDavid Levithan, coauthor of bestsellers Will Grayson, Will Grayson (with John Green) and Nick & Norah's Infinite Playlist (with Rachel Cohn), crafts a novel that the Los Angeles Times calls "open, frank, and ultimately optimistic."   Based on true events--and narrated by a Greek Chorus of the generation of gay men lost to AIDS--Two Boys Kissing follows Harry and Craig, two seventeen-year-olds who are about to take part in a 32-hour marathon of kissing to set a new Guinness World Record. While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teens dealing with universal questions of love, identity, and belonging.  

The Real Boy, Anne Ursu's follow-up to her widely acclaimed and beloved middle grade fantasy Breadcrumbs, is a spellbinding tale of the power we all wield, great and small. On an island on the edge of an immense sea there is a city, a forest, and a boy named Oscar. Oscar is a shop boy for the most powerful magician in the village, and spends his days in a small room in the dark cellar of his master's shop grinding herbs and dreaming of the wizards who once lived on the island generations ago. Oscar's world is small, but he likes it that way. The real world is vast, strange, and unpredictable. And Oscar does not quite fit in it. But now that world is changing. Children in the city are falling ill, and something sinister lurks in the forest. Oscar has long been content to stay in his small room in the cellar, comforted in the knowledge that the magic that flows from the forest will keep his island safe. Now, even magic may not be enough to save it.

Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love--and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

Part epic of Texas, part classic coming- of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanches storms his homestead and brutally murders his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and language, answering to a new name, becoming the chief's adopted son, and waging war against their enemies, including white men--which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong--a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and Jeannie, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world. Philipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, even children are sacrificed in the name of ambition as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

Renowned through four award-winning books for his gritty and revelatory visions of the Caribbean, Bob Shacochis returns to occupied Haiti in The Woman Who Lost Her Soul before sweeping across time and continents to unravel tangled knots of romance, espionage, and vengeance. In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world.When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful and seductive photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It's the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings, and everyone has secrets. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed, and to make sense of her death, Tom must plunge back into a thorny past and his complicated ties to both Jackie and Eville Burnette, a member of Special Forces who has been assigned to protect her.From the violent, bandit-dominated terrain of World War II Dubrovnik to the exquisitely rendered Istanbul in the 1980s, Shacochis brandishes Jackie's shadowy family history with daring agility. Caught between her first love and the unsavory attentions of her father-an elite spy and quintessential Cold War warrior pressuring his daughter to follow in his footsteps-seventeen-year-old Jackie hatches a desperate escape plan that puts her on course to becoming the soulless woman Tom equally feared and desired.Set over fifty years and in four countries backdropped by different wars, The Woman Who Lost Her Soul is a magnum opus that brings to life, through the mystique and allure of history, an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.

Frederick Douglass recalled that slaves living along Chesapeake Bay longingly viewed sailing ships as "freedom's swift-winged angels." In 1813 those angels appeared in the bay as British warships coming to punish the Americans for declaring war on the empire. Over many nights, hundreds of slaves paddled out to the warships seeking protection for their families from the ravages of slavery. The runaways pressured the British admirals into becoming liberators. As guides, pilots, sailors, and marines, the former slaves used their intimate knowledge of the countryside to transform the war. They enabled the British to escalate their onshore attacks and to capture and burn Washington, D.C. Tidewater masters had long dreaded their slaves as "an internal enemy." By mobilizing that enemy, the war ignited the deepest fears of Chesapeake slaveholders. It also alienated Virginians from a national government that had neglected their defense. Instead they turned south, their interests aligning more and more with their section. In 1820 Thomas Jefferson observed of sectionalism: "Like a firebell in the night [it] awakened and filled me with terror. I considered it at once the knell of the union." The notes of alarm in Jefferson's comment speak of the fear aroused by the recent crisis over slavery in his home state. His vision of a cataclysm to come proved prescient. Jefferson's startling observation registered a turn in the nation's course, a pivot from the national purpose of the founding toward the threat of disunion. Drawn from new sources, Alan Taylor's riveting narrative re-creates the events that inspired black Virginians, haunted slaveholders, and set the nation on a new and dangerous course.

In 1656, a Maryland planter tortured and killed an enslaved man named Antonio, an Angolan who refused to work in the fields. Three hundred years later, Simon P. Owens battled soul-deadening technologies as well as the fiction of "race" that divided him from his co-workers in a Detroit auto-assembly plant. Separated by time and space, Antonio and Owens nevertheless shared a distinct kind of political vulnerability; they lacked rights and opportunities in societies that accordedmarked privileges to people labeled "white."An American creation myth posits that these two black men were the victims of "racial" discrimination, a primal prejudice that the United States has haltingly but gradually repudiated over the course of many generations. In A Dreadful Deceit, award-winning historian Jacqueline Jones traces the lives of Antonio, Owens, and four other African Americans to illustrate the strange history of "race" in America. In truth, Jones shows, race does not exist, and the very factors that we think of as determining it- a person's heritage or skin color-are mere pretexts for the brutalization of powerless people by the powerful. Jones shows that for decades, southern planters did not even bother to justify slavery by invoking the concept of race; only in the late eighteenth century did whites begin to rationalize the exploitation and marginalization of blacks through notions of "racial" difference. Indeed, race amounted to a political strategy calculated to defend overt forms of discrimination, as revealed in the stories of Boston King, a fugitive in Revolutionary South Carolina; Elleanor Eldridge, a savvy but ill-starred businesswoman in antebellum Providence, Rhode Island; Richard W. White, aUnion veteran and Republican politician in post-Civil War Savannah; and William Holtzclaw, founder of an industrial school for blacks in Mississippi, where many whites opposed black schooling of any kind. These stories expose the fluid, contingent, and contradictory idea of race, and the disastrous effects it has had, both in the past and in our own supposedly post-racial society.Expansive, visionary, and provocative, A Dreadful Deceit explodes the pernicious fiction that has shaped four centuries of American history.

Famed investigative journalist Eric Schlosser digs deep to uncover secrets about the management of America's nuclear arsenal. A groundbreaking account of accidents, near misses, extraordinary heroism, and technological breakthroughs, Command and Control explores the dilemma that has existed since the dawn of the nuclear age: How do you deploy weapons of mass destruction without being destroyed by them? That question has never been resolved--and Schlosser reveals how the combination of human fallibility and technological complexity still poses a grave risk to mankind. While the harms of global warming increasingly dominate the news, the equally dangerous yet more immediate threat of nuclear weapons has been largely forgotten. Written with the vibrancy of a first-rate thriller, Command and Control interweaves the minute-by-minute story of an accident at a nuclear missile silo in rural Arkansas with a historical narrative that spans more than fifty years. It depicts the urgent effort by American scientists, policy makers, and military officers to ensure that nuclear weapons can't be stolen, sabotaged, used without permission, or detonated inadvertently. Schlosser also looks at the Cold War from a new perspective, offering history from the ground up, telling the stories of bomber pilots, missile commanders, maintenance crews, and other ordinary servicemen who risked their lives to avert a nuclear holocaust. At the heart of the book lies the struggle, amid the rolling hills and small farms of Damascus, Arkansas, to prevent the explosion of a ballistic missile carrying the most powerful nuclear warhead ever built by the United States. Drawing on recently declassified documents and interviews with people who designed and routinely handled nuclear weapons, Command and Control takes readers into a terrifying but fascinating world that, until now, has been largely hidden from view. Through the details of a single accident, Schlosser illustrates how an unlikely event can become unavoidable, how small risks can have terrible consequences, and how the most brilliant minds in the nation can only provide us with an illusion of control. Audacious, gripping, and unforgettable, Command and Control is a tour de force of investigative journalism, an eye-opening look at the dangers of America's nuclear age. (Excerpt from Amazon)

From an early age, Margaret Fuller provoked and dazzled New England's intellectual elite. Her famous Conversations changed women's sense of how they could think and live; her editorship of the Transcendentalist literary journal the Dial shaped American Romanticism. Now, Megan Marshall, whose acclaimedThe Peabody Sisters "discovered" three fascinating women, has done it again: no biography of Fuller has made her ideas so alive or her life so moving. Marshall tells the story of how Fuller, tired of Boston, accepted Horace Greeley's offer to be theNew-York Tribune's front-page columnist. The move unleashed a crusading concern for the urban poor and the plight of prostitutes, and a late-in-life hunger for passionate experience. In Italy as a foreign correspondent, Fuller took a secret lover, a young officer in the Roman Guard; she wrote dispatches on the brutal 1849 Siege of Rome; and she gave birth to a son. Yet, when all three died in a shipwreck off Fire Island shortly after Fuller's fortieth birthday, the sense and passion of her life's work were eclipsed by tragedy and scandal. Marshall's inspired account brings an American heroine back to indelible life.

From a master biographer and leading scholar of eighteenth-century literature comes an award-winning new portrait of the greatest satirist in the English language Jonathan Swift is best remembered today as the author of Gulliver's Travels, the satiric fantasy that quickly became a classic and has remained in print for nearly three centuries. Yet Swift also wrote many other influential works, was a major political and religious figure in his time, and became a national hero, beloved for his fierce protest against English exploitation of his native Ireland. What is really known today about the enigmatic man behind these accomplishments? Can the facts of his life be separated from the fictions? In this deeply researched biography, Leo Damrosch draws on discoveries made over the past thirty years to tell the story of Swift's life anew. Probing holes in the existing evidence, he takes seriously some daring speculations about Swift's parentage, love life, and various personal relationships and shows how Swift's public version of his life--the one accepted until recently--was deliberately misleading. Swift concealed aspects of himself and his relationships, and other people in his life helped to keep his secrets. Assembling suggestive clues, Damrosch re-narrates the events of Swift's life while making vivid the sights, sounds, and smells of his English and Irish surroundings.Through his own words and those of a wide circle of friends, a complex Swift emerges: a restless, combative, empathetic figure, a man of biting wit and powerful mind, and a major figure in the history of world letters. (Excerpt from Amazon)

Based on unprecedented access to the recently opened archives of Marx's and Engels's complete writings, Karl Marx: A Nineteenth-Century Life provides a historical context for the personal story of one of the most influential and controversial political philosophers in Western history. By removing Marx from the ideological conflicts of the twentieth century that colored his legacy and placing him within "the society and intellectual currents of the nineteenth century" (Ian Kershaw), Sperber is able to present a full portrait of Marx as neither a soothsaying prophet of the modern world nor the author of its darkest atrocities. This major biography fundamentally reshapes our understanding of a towering historical figure. (Excerpt from Amazon)

The long-awaited third poetry book by Vijay Seshadri, "one of the most respected poets working in America today" (Time Out New York) Vijay Seshadri's new poetry is assured and expert, his line as canny as ever. In an array of poetic forms from the rhyming lyric to the philosophical meditation to the prose essay,3 Sections confronts perplexing divisions of contemporary life--a wayward history, an indeterminate future, and a present condition of wanting to outthink time. This is an extraordinary book, witty and vivacious, by one of America's best poets.

The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.

2014 Pulitzer Finalist in Poetry American poet Morri Creech won the very first Anthony Hecht Prize with Field Knowledge in 2006. His follow-up, The Sleep of Reason, is a lyrical examination of liminal states of consciousness and experience - the shadowy terrain between sleep and waking, dream and nightmare, life and death, history and the present moment. (Excerpt from Amazon)

The riveting true story of a small town ravaged by industrial pollution, Toms River melds hard-hitting investigative reporting, a fascinating scientific detective story, and an unforgettable cast of characters into a sweeping narrative in the tradition of A Civil Action, The Emperor of All Maladies, and The Immortal Life of Henrietta Lacks. One of New Jersey's seemingly innumerable quiet seaside towns, Toms River became the unlikely setting for a decades-long drama that culminated in 2001 with one of the largest legal settlements in the annals of toxic dumping. A town that would rather have been known for its Little League World Series champions ended up making history for an entirely different reason: a notorious cluster of childhood cancers scientifically linked to local air and water pollution. For years, large chemical companies had been using Toms River as their private dumping ground, burying tens of thousands of leaky drums in open pits and discharging billions of gallons of acid-laced wastewater into the town's namesake river. In an astonishing feat of investigative reporting, prize-winning journalist Dan Fagin recounts the sixty-year saga of rampant pollution and inadequate oversight that made Toms River a cautionary example for fast-growing industrial towns from South Jersey to South China. He tells the stories of the pioneering scientists and physicians who first identified pollutants as a cause of cancer, and brings to life the everyday heroes in Toms River who struggled for justice: a young boy whose cherubic smile belied the fast-growing tumors that had decimated his body from birth; a nurse who fought to bring the alarming incidence of childhood cancers to the attention of authorities who didn't want to listen; and a mother whose love for her stricken child transformed her into a tenacious advocate for change. A gripping human drama rooted in a centuries-old scientific quest, Toms River is a tale of dumpers at midnight and deceptions in broad daylight, of corporate avarice and government neglect, and of a few brave individuals who refused to keep silent until the truth was exposed.

This magnificent history provides the first full account of Richard Nixon and Henry Kissinger's secret support for Pakistan in 1971 as it committed shocking atrocities in Bangladesh--which led to war between India and Pakistan, shaped the fate of Asia, and left major strategic consequences for the world today. Drawing on previously unheard White House tapes, recently declassified documents, and his own extensive investigative reporting, Gary Bass uncovers an astonishing unknown story of superpower brinkmanship, war, scandal, and conscience. Revelatory, authoritative, and compulsively readable, The Blood Telegram is a thrilling chronicle of a pivotal chapter in American foreign policy. (Excerpt from Amazon)

The Insurgents tells the inside story of the small group of soldier-scholars, led by Gen. David Petraeus, who plotted to revolutionize the oldest, stodgiest institution in America--the military. Working from secret documents, private emails, and interviews with more than one hundred key characters, Pulitzer Prize-winning journalist Fred Kaplan details how these men and women forged a community (a "cabal," some of them called it), manipulated the bureaucracy, and changed official policy. This is a story of power, politics, ideas, and personalities--and how they converged to reshape twenty-first century warfare. It is also a cautionary tale about how creative doctrine can harden into dogma and how smart strategists--today's "best and brightest"-- can win the battles at home but not the wars abroad. Petraeus and his fellow insurgents made the US military more adaptive to the conflicts of the modern era, but they also created the tools--made it more tempting--for political leaders to wade into wars that they would have been wise to avoid. (Excerpt from Amazon)