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Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang Monsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center - the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody's edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women's real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.

From scream queens to femmes fatale, horror isn't just for the boys.  Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and co-hosts of the Horror Rewind podcast called "the best horror film podcast out there" by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love.   Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women's most iconic roles of the genre. Explore age-old tropes such as "The Innocent" like Lydia in Beetlejuice, "The Gorgon" like Pamela Voorhees in Friday the 13th, and "The Mother" like Norma Bates in Pyscho and Bates Motel, and delve deeper into female-forward film and TV including: The Haunting of Hill House Teeth Chilling Adventures of Sabrina Buffy the Vampire Slayer And so much more! Join Kelly and Meg in The Science of Women in Horror as they flip the script and prove that every girl is a "final girl."

House of Psychotic Women is an autobiographical exploration of female neurosis in horror and exploitation films. Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - 'the eccentric' - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. Named after the U.S.-retitling of Carlos Aured's The Blue Eyes of the Broken Doll, House of Psychotic Women is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and an examination of female madness, both onscreen and off. This sharply-designed book with a 32-page full-colour section is packed with rare stills, posters, pressbooks and artwork that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. - comprehensive appendix - 1000 rare photos, many in color

For far too long, horror has been considered a male genre, made by men, marketed to men, and enjoyed by men. But in the last decade, we have seen an emergence of women as horror filmmakers, academics, and fans, all making sure their voices were heard! Editors Alyse Wax and Rebekah McKendry, PhD have gathered some of the greatest minds in horror film theory-all women-to discuss their love of the genre. The scope of Creepy Bitches covers all areas of the horror genre, film industry, and fandom - from the Cronenbergian experience of giving birth to how The X-Files plays in the #MeToo moment; from growing up at Disneyland's Haunted Mansion to growing up in a video store. The book explores gender roles in The Creature From the Black Lagoon trilogy and Mexican horror cinema, as well as the bisexual energy of I Know What You Did Last Summer. It covers the therapeutic benefits of watching horror and how to love home invasion movies again after experiencing real-life trauma. But the book's overarching purpose is to celebrate new voices and increase our understanding of women in the horror realm, celebrating that horror does not only scare us, but helps us understand the world around us, providing a lens through which to view and explore our own selves.

Setting the pace for progress and innovation . . . ADVANCES IN PHOTOCHEMISTRY More than a simple survey of the current literature, Advances in Photochemistry offers critical evaluations written by internationally recognized experts. These pioneering scientists offer unique and varied points of view of the existing data. Their articles are challenging as well as provocative and are intended to stimulate discussion, promote further research, and encourage new developments in the field. In this volume Present Status of the Photoisomerization About Ethylenic Bonds TATSUO ARAI AND KATSUMI TOKUMARU Cooling of a Dye Solution by Anti-Stokes Fluorescence CHRISTOPH ZANDER AND KARL HEINZ DREXHAGE Atmospheric Photochemistry of Alternative Halocarbons JOSEPH S. FRANCISCO AND M. MATTI MARICQ Photochemistry and Photoelectrochemistry of Quantized Matter: Properties of Semiconductor Nanoparticles in Solution and Thin-Film Electrodes HORST WELLER AND ALEXANDER EYCHM?LLER Artificial Photosynthetic Transformations Through Biocatalysis and Biomimetic Systems ITAMAR WILLNER AND BILHA WILLNER

Dark novels, shows, and films targeted toward children and young adults are proliferating wildly. It is even more crucial now to understand the methods by which such texts have traditionally operated and how those methods have been challenged, abandoned, and appropriated. Reading in the Dark fills a gap in criticism devoted to children's popular culture by concentrating on horror, an often-neglected genre. These scholars explore the intersection between horror, popular culture, and children's cultural productions, including picture books, fairy tales, young adult literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude of benefits they can provide for young readers and viewers. Refusing to write off the horror genre as campy, trite, or deforming, these essays instead recognize many of the texts and films categorized as ""scary"" as among those most widely consumed by children and young adults. In addition, scholars consider how adult horror has been domesticated by children's literature and culture, with authors and screenwriters turning that which was once horrifying into safe, funny, and delightful books and films. Scholars likewise examine the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. The collection investigates both the constructive and the troublesome aspects of scary books, movies, and television shows targeted toward children and young adults. It considers the complex mechanisms by which these texts communicate overt messages and hidden agendas, and it treats as well the readers' experiences of such mechanisms.

In this sequel to Film, Horror, and the Body Fantastic, Badley examines horror fiction as a fantastic genre in which images of the body and the self are articulated and modified. Badley places horror fiction in its cultural context, drawing important connections to theories of gender and sexuality. As our culture places increasing importance on body image, horror fiction has provided a language for imagining the self in new ways--often as ungendered, transformed, or re-generated. Focusing on the works of Stephen King, Clive Barker, and Anne Rice, Badley approaches horror as a discourse that articulates the anxieties of our culture.

Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Draculas, Vampires and Other Undead Forms assembles provocative essays that examine Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework.

Tracing the growth of lesbian Gothic fiction over the 25 years since the advent of the Women's Movement and Gay Liberation in the 1970s, this text discusses a wide selection of novels and stories, contextualizing and re-evaluating them in the light of changing currents in lesbian/queer culture and politics. The figure of the lesbian, frequently portrayed in a homophobic/misogynistic light, has long been a standard component of popular Gothic fiction and film. The author argues, however, that in more contemporary fiction, motifs and modes of fiction with Gothic associations, such as the witch, the vampire, the spectral visitor and the Gothic thriller, have been appropriated by writers adopting a lesbian viewpoint to articulate the transgressive aspect of lesbian sexuality and existence.

The plays collected in Sisters of Gore span the development of Gothic melodrama from the 1790s to the 1840s.

1930s horror films - including hypnosis, mad-doctor, and jungle horror movies - proved to be lucrative ventures for film companies. This text focuses on this genre, analyzing its gender dynamics with the publicity and film reviews surrounding each of its releases.

An undying procession of sons of Dracula and daughters of darkness has animated the horror film genre from the beginning. Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

The films of the New French Extremity have been reviled by critics but adored by fans and filmmakers. Known for graphically brutal depictions of sex and violence, the subgenre emerged from the French art-house scene in the late 1990s and became a cult phenomenon, eventually merging into the horror genre where it became associated with American torture porn. Decidedly French in flavor, the films seek to reveal the dark side of French society. This book provides an in-depth study of New French Extremity, focusing on such films as Trouble Every Day (2001), Irreversible (2002), Twentynine Palms (2003), High Tension (2003) and Martyrs (2008). The author explores the social implications of cinematic cruelty presented not as "violent films" but as "films about violence."

The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In "Gothicka, " Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of "The Shack"), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the "Twilight" and "Left Behind" series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in "The Da Vinci Code" and the child Ofelia becomes a goddess in "Pan's Labyrinth, " Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.

In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in our most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah, and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory, challenging the orthodoxies of previous research on film violence and contributing a fresh perspective to how we might reconceptualize fictional forms of this particular kind of aggressive cinema. Asbjörn Gronstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but a convoluted network of our own cultural ideologies and beliefs.  

In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.

From the New York Times best-selling authorof The Southern Book Club's Guide to Slaying Vampires comes a nostalgic and unflinchingly funny celebration of the horror fiction boom of the 1970s and '80s. Take a tour through the horror paperback novels of two iconic decades . . . if you dare. Page through dozens and dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs! Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary's Baby. Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more who've faded into obscurity. Also included are recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried.

Contributions by Amylou Ahava, Jeff Ambrose, Daniel P. Compora, Penny Crofts, Keith Currie, Erin Giannini, Whitney S. May, Fernando Gabriel Pagnoni Berns, Diganta Roy, Hannah Lina Schneeberger, Shannon S. Shaw, Maria Wiegel, and Margaret J. Yankovich First published in 1986, Stephen King's novel IT forever changed the legacy of the literary clown. The subject of a TV miniseries and a two-part film adaptation and the inspiration for a resurgence of the evil clown figure in popular culture, IT's influence is undeniable, yet scholarship to date is almost exclusively devoted to the adaptations rather than the novel itself. Encountering Pennywise: Critical Perspectives on Stephen King's "IT" considers the pronounced cultural fluctuations of IT's legacies by centering the novel within the theoretical frameworks that animate it and ensure its literary and cultural persistence. The collection explores the ways the novel, so like its antagonist, replicates (or disavows) the icons of various canons and categories in order to accomplish specific psychological and cultural work. Gathering the work of scholars from diverse professional and disciplinary vantage points, editor Whitney S. May has curated an anthology that spans discussions of American surveillance culture, intergenerational conflict, the legacies of settler colonialism and Native American representation, serial-killer fanaticism, and more. In this volume, we read the protagonists' constellations of countermoves against Pennywise as productive outlines of critique effectuated by the richness of the clown's reflective power. The essays are therefore thematically arranged into a series of four categories of "counter"--countercurrents, countercultures, counterclaims, and counterfeits--where each supplies a specific critical lens through which to view Pennywise's disruptions of both culture and cultural critique.

This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures.

The Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting. The book considers the cultural significance of the Southern Gothic on screen by examining southern otherness as the primary mechanism through which the South is rendered a space of darkness and danger. This opens up a critical space for the Southern Gothic to be discussed as a screen genre with its own complex visual, thematic and narrative codes. The book establishes a perspective that synthesizes a broad understanding of Southern Gothic genericity with pre-existing cultural and political discourses on the South, resulting in an analysis that is specific to film and television while remaining heedful of the intersecting discourses that inform both the Gothic and the South as historic and mediated constructs.

The essays in this volume explore the menacing figure of Slender Man--the blank-faced, long-limbed bogeyman born of a 2009 Photoshop contest who has appeared in countless horror stories circulated on- and offline among children and young people. Slender Man is arguably the best-known example in circulation of "creepypasta," a genre derived from "copypasta," which in turn derived from the phrase "copy/paste."   As narrative texts are copied across online forums, they undergo modification, annotation, and reinterpretation by new posters in a folkloric process of repetition and variation. Though by definition legends deal largely with belief and possibility, the crowdsourced mythos behind creepypasta and Slender Man suggests a distinct awareness of fabrication. Slender Man is therefore a new kind of creation: one intentionally created as a fiction but with the look and feel of legend.   Slender Man Is Coming offers an unprecedented folkloristic take on Slender Man, analyzing him within the framework of contemporary legend studies, "creepypastas," folk belief, and children's culture. This first folkloric examination of the phenomenon of Slender Man is a must-read for anyone interested in folklore, horror, urban legends, new media, or digital cultures.   Contributors: Timothy H. Evans, Andrea Kitta, Mikel J. Koven, Paul Manning, Andrew Peck, Jeffrey A. Tolbert, Elizabeth Tucker  

The Gothic moment in literary history arose in the age of the Enlightenment, and the Gothic fascination with the unknown reflects the Enlightenment's response to the limits of reason. Traditionally, the emblem of the unknown that lurks in the Gothic is the supernatural, the monstrous, and the inhuman. Often overlooked is the observation that Gothic texts are also haunted by figures that represent the mystery of sexuality. This collection of essays sharpens that observation and asserts that Gothic anxieties about sexuality are likewise rooted in fear of the unknown, represented by sexual practices and desires that either lie hidden or deviate from cultural norms. The first three sections refer to popular as well as marginalized Gothic texts to portray the three prototypes of sexual "deviance": the female sexual Other in "The Fatal Woman"; the male sexual Other in "The Satanic Male"; and the homosexual Other in "Homosexual Horror." The fourth section covers literary works that celebrate sexual difference and question the idea that the sexually "deviant" is socially Other.

Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror's ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror's semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare's Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness.  

Women Make (Write, Produce, Direct, Shoot, Edit and Analyze) Horror / Alison Peirse -- Stephanie Rothman and Vampiric Film Histories / Alicia Kozma -- Inside Karen Arthur's The Mafu Cage / Alexandra Heller-Nicholas -- The Secret beyond the Door: Daria Nicolodi and Suspiria's Multiple Authorship / Martha Shearer -- Personal Trauma Cinema and the Experimental Videos of Cecelia Condit and Ellen Cantor / Katia Houde -- Self-Reflexivity and Feminist Camp in Freddy's Dead: The Final Nightmare / Tosha R. Taylor -- Why Office Killer Matters / Dahlia Schweitzer -- Murders and Adaptations: Gender in American Psycho / Laura Mee -- Gender, Genre and Authorship in Ginger Snaps / Katarzyna Paszkiewicz -- The Feminist Art-Horror of the New French Extremity / Maddison McGillvray -- Women-Made Horror in Korean Cinema / Molly Kim -- The Stranger with My Face International Film Festival and the Australian Female Gothic / Donna McRae -- Slicing Up the Boys' Club: The Female-Led Horror Anthology Film / Erin Harrington -- The Transnational Gaze in A Girl Walks Home Alone at Night / Lindsey Decker -- Gigi Saul Guerrero and Her Latin American Female Monsters / Valeria Villegas Lindvall -- Uncanny Tales: Lucile Hadžihalilović's Évolution / Janice Loreck -- The (Re)Birth of Pregnancy Horror in Alice Lowe's Prevenge /Amy C. Chambers -- The Rise of the Female Horror Filmmaker-Fan / Sonia Lupher.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers. Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.

So no one taught you about money, either? Let's figure this me$$ out together.  In this illustrated, deeply unserious guide to money, Berna Anat--aka the Financial Hype Woman--freaks out her immigrant parents by doing the unthinkable: Talking about money. Loudly.  Because we're done staying silent, anxious, and ashamed about our money. It's time to join the party and finally learn about all the financial stuff that always felt too confusing. Stuff like:  How to actually budget, save, and invest (but also make it fun)  How our traumas shape our most toxic money habits, and how to create new patterns How to build wealth in a system designed to keep us broke  How to use money to fund our biggest dreams--and change the world No more keeping our money on mute. It's time to grab the mic.

Don't panic-I'm here to help! Dear Readers- As a transwoman, I've discovered (the hard way) that we live in a world with much to fear. But imagine fearing something as simple as asking for help. Imagine relying on others-landlords-to provide a basic human right, like housing, but knowing those same people believe you're an abomination because of your sexuality or gender identity. Imagine a world where reaching out for help is more than just a mundane task-it's a game of chance. Sadly, for too many renters, this isn't just a one-time moment of fear. For single moms, college students in a foreign town, and many others, a knock on the door can feel just as terrifying, even when you need the help. All renters deserve to feel empowered enough to take matters into their own hands. The skills I'll show you how to develop will allow you to help friends, teach family members, and even assist a panicking neighbor-further empowering more people to take on tasks on their own. We all have a home-whether it's made up of brick walls or plaster-filled with memories and dreams. Knowledge should pass through any barriers put up around it because a little bit of knowledge can go a long way toward making someone feel more in control of their own life. Your soon-to-be favorite virtual repair technician, Mercury Stardust, the Trans Handy Ma'am

The popular host of the Money Moves podcast and youngest person ever to trade on the New York Stock Exchange provides winning tips for women to help them shift their financial mindset, become confident about their money, set them on a path to financial security, and live their best lives. "Seventy three percent of Americans ranked their finances as the number one cause of stress in their lives. But financial wellness can have a positive effect on your entire life. Not only when it comes to money and finances, but the quality and ease of how you live. Financial wellness means freedom for your body and freedom for your mind. Financial stress can also cause the breakdown of relationships. But it doesn't have to be that way."--Lauren Simmons In 2017, when she was only twenty-two, Lauren Simmons became the youngest full-time female trader at the New York Stock Exchange, and the second African American woman in the Exchange's 228-year history to hold such a position. Driven by a passion for empowering women, Millennials, Gen Zs, and minorities to become more financially savvy, she now shares her experience and knowledge in this savvy financial guide. Simmons brings a fresh perspective to personal finance: she is a young African American woman with an understanding of how to increase wealth and an awareness of generational and cultural barriers--such an income inequity--that can hold people back from taking financial risks. In her warm, down-to-earth voice, Simmons makes confusing topics easy to understand. She breaks down the pros and cons of buying stocks and Treasuries, explains how to maximize your 401K opportunities even in challenging economic times, advises how to grapple with student loans, and helps you break family cycles when dealing (or not) with debt. Simmons helps a new generation and others who have been overlooked learn how to take care of their money--so their money can take care of them, today and tomorrow.

Did you remember your scissors? Discover the tremendous pleasure of learning how to do it yourself how to cook, sew, clean, and more, the way it used to be taught in Home Ec class. With illustrated step by step instructions, plus relevant charts, lists, and handy graphics, Home Ec for everyone offers a crash course in learning 118 practical life skills-everything from frosting the perfect birthday cake to fixing a zipper to whitening a dingy T-shirt to packing a suitcase (the right way). It's all made clear in plain, nontechnical language for any level of DIYer, and it comes with a guarantee: No matter how simple the task, doing it with your own two hands provides a feeling of accomplishment that no app or device will ever give you.

Essential life skills from America's most trusted lifestyle expert--together in one beautiful and practical handbook, with hundreds of ideas, instructions, and inspirations Martha Stewart is America's go-to source for the best answers to nearly every question. As an authority on the many worlds upon which she's built her domestic empire, she can advise on everything from creating a cutting garden and setting the table to playing classic lawn games or building a campfire. Whether it's organizing, celebrating, cleaning, decorating, or any number of other life skills, these are the time-tested, Martha-approved strategies for frequent challenges and basic how-to knowledge that everyone should have at the ready. Also included are plenty of solutions for the not-so-common conundrums, such as how to transport a decorated cake, bathe a cat, or fold an American flag. With hundreds of expert tips and useful insights in an easy-to-follow format, this is the manual you need to learn how to do everything--the Martha way.

A practical and attractive handbook with more than 850 essential life skills to get anything done faster and easier The editors and scientists at Good Housekeeping and its lab, the Good Housekeeping Institute, share genius solutions and trusted, expert advice in this how-to guide to making life simpler. With chapters on the kitchen, organizing and cleaning, decorating, home maintenance, outdoor living, and entertaining and celebrating, this go-to resource offers step-by-step illustrated instructions, inspiring photos and sometimes surprising but always practical guidance to get things done. Plus, you'll save time and money and even have fun along the way. The 850+ skills include how to- Store and make your own spice mixesClean your house in 15 minutesSeal a drafty windowRemove water rings from your tablesPerk up a grocery-store bouquetSew a buttonPlant an outdoor herb garden (and keep herbs fresh after they are picked!)Make the perfect boiled eggUncork champagneCure a hangover and so much more! QR codes throughout the pages offer additional lessons and video instruction. Whatever home means to you, this book is brimming with invaluable know-how to keep your home in tip-top shape and to help you inject more fun and flair into your every day.

There are billions of dollars available to Native American undergraduate and graduate students (from accounting to zoology). This money can be used to pay for tuition, fees, books, research projects, creative activities, and other educational expenses. How can you find out about these opportunities? In the past, it was next to impossible! Neither print directories nor online sources covered more than a small portion of the available funding. That's why this new edition of Financial Aid for Native Americans is so important. Here, in just one place, you'll be able to find completely updated information on hundreds of the biggest and best scholarships, fellowships, grants, loans, awards, and other funding opportunities available specifically to support Native American students interested in working on an undergraduate or graduate degree at a public or private college or university. Finally, there's an answer to the #1 question asked by Native American students: "How am I going to pay for my undergraduate or graduate degree?" The focus of Financial Aid for Native Americans is on portable programs aimed at undergraduate and graduate students just like you. Finding money to help you reach your academic goals has never been easier. Using this book, you can tell in seconds if an opportunity is right for you, by scanning the purpose, eligibility, money granted, duration, special features, number awarded, and deadline information. Plus, the book is organized so you can search for aid not only by educational level, but by program title, sponsoring organization, where you live, where the money can be spent, and even deadline.

There are billions of dollars available to Hispanic American undergraduate and graduate students (from accounting to zoology). This money can be used to pay for tuition, fees, books, research projects, creative activities, and other educational expenses. How can you find out about these opportunities? In the past, it was next to impossible! Neither print directories nor online sources covered more than a small portion of the available funding. That's why this new edition of Financial Aid for Hispanic Americans is so important. Here, in just one place, you'll be able to find completely updated information on hundreds of the biggest and best scholarships, fellowships, grants, loans, awards, and other funding opportunities available specifically to support Hispanic American students interested in working on an undergraduate or graduate degree at a public or private college or university. Finally, there's an answer to the #1 question asked by Hispanic American students: "How am I going to pay for my undergraduate or graduate degree?" The focus of Financial Aid for Hispanic Americans is on portable programs aimed at undergraduate and graduate students just like you. Finding money to help you reach your academic goals has never been easier. Using this book, you can tell in seconds if an opportunity is right for you, by scanning the purpose, eligibility, money granted, duration, special features, number awarded, and deadline information. Plus, the book is organized so you can search for aid not only by educational level, but by program title, sponsoring organization, where you live, where the money can be spent, and even deadlinee.

There are billions of dollars available to Asian American undergraduate and graduate students (from accounting to zoology). This money can be used to pay for tuition, fees, books, research projects, creative activities, and other educational expenses. How can you find out about these opportunities? In the past, it was next to impossible! Neither print directories nor online sources covered more than a small portion of the available funding. That's why this new edition of Financial Aid for Asian Americans is so important. Here, in just one place, you'll be able to find completely updated information on hundreds of the biggest and best scholarships, fellowships, grants, loans, awards, and other funding opportunities available specifically to support Asian American students interested in working on an undergraduate or graduate degree at a public or private college or university. Finally, there's an answer to the #1 question asked by Asian American students: "How am I going to pay for my undergraduate or graduate degree?" The focus of Financial Aid for Asian Americans is on portable programs aimed at undergraduate and graduate students just like you. Finding money to help you reach your academic goals has never been easier. Using this book, you can tell in seconds if an opportunity is right for you, by scanning the purpose, eligibility, money granted, duration, special features, number awarded, and deadline information. Plus, the book is organized so you can search for aid not only by educational level, but by program title, sponsoring organization, where you live, where the money can be spent, and even deadline.

A modern primer on consumer finance and personal money management intended for readers aged 15 to 30, this guide can also serve as a primary text for high school, college, or adult education courses on personal finance. There is growing awareness that teaching consumers more about finance is an urgent national priority--and that their education should begin early. Combining practical advice with targeted information on virtually every aspect of personal finance and money management, this book is the ideal resource for young people who want to start off their financial lives properly. The guide updates traditional personal finance topics, such as budgeting, credit, debt, savings, and investment, and goes beyond those fundamentals to furnish important life lessons on such concerns as career planning, starting a business, Internet fraud, and avoiding financial scams. It even provides useful background on the tax system, how to avoid bankruptcy, legal issues young adults often face, and the plethora of government benefits they can access. In fact, young readers will come away from this book with basic knowledge of every important area of personal finance. Ideal for teens and young adults, the volume will prove useful to parents who want to educate their children about the wise use of money, preparing them to make independent financial decisions. In addition, this book can be used to meet the standards enacted in every state for developing a curriculum guide for teaching financial literacy to high school students. It can also serve as a primary or supplementary resource in personal finance or consumer economics courses for college students and adults.

Finance for Normal People shows how behavioral finance offers numerous insights into the performance of investors and managers as well as the functioning of markets. Meir Statman, a founder of behavioral finance, provides a unified approach to understanding financial behavior. He draws on his extensive experience and the most insightful research to enhance our awareness about the short-cuts and errors that normal people make in financial decisions and planning. He also emphasizes the importance learning the lessons of behavioral finance and applying them to banish ignorance, gain knowledge, and increase the ratio of smart to stupid behavior on our way to what we want.Behavioral finance is finance for normal people who experience cognitive and emotional errors, including overconfidence, exaggerated fear, and unrealistic hope. Normal people want to beat the market and feel pride they make gains and regret when they make losses. They also care about their families and social values. Normal people make important decisions about forming portfolios, saving and spending in working years and retirement, and readily taking gains while being reluctant to realize losses. As a result, normal people's wants and errors affect financial markets.With financial markets uncertain, standard approaches to finance suffer from wide cracks between theory, guidance, and evidence. With ordinary people uneasy about their financial future, Finance for Normal People encourages changing how we think and act in the pursuit of our goals.

The creative class--artists, actors, writers, musicians, freelancers, dancers, performers, and the like--are known for applying their passion for creative expression to everything they do. Perhaps the one thing that most fills this group with apprehension is the rigid world of numbers. This leads to problems arising from the unconventional financial and business situations of creative professionals, as well as the nonprofit organizations with which they're often affiliated. Finances, budgeting, and business matters can be dreaded, if not outright ignored, by creatives--to the detriment of their artistic pursuits. Author, artist, and CPA Elaine Grogan Luttrull has written Arts & Numbers to help creative professionals find the same confidence in their financial dealings as in their chosen mode of expression. It is an engaging, accessible guide that covers a variety of must-know topics, such as budgeting, cash management, visual charting, taxes, employment, and business etiquette. In a simple, straightforward style, Luttrull draws examples from smooth-flowing narratives depicting common issues within the arts worlds, as well as from her own personal anecdotes. Unlike stuffy textbooks and patronizing business books, Arts & Numbers is a lively and artfully done ally in helping creative professionals plan their present financial situations and secure their futures.

An indispensable guide for any recent graduate that provides simple, easy-to-follow rules for making smart personal finance choices during the first decade of one's career. Having graduated from college with a degree, even the luckiest newly minted professionals--those who are able to quickly find a full-time job and support themselves--are often burdened with thousands of dollars in student loan debt. Many of these young professionals grow up hearing that they should not invest until their debt is paid off. Others fall too readily for investment scams or the siren call of instant entrepreneurship. Still others don't invest at all. From financial expert Michael C. Taylor comes a proposed means by which to not only pull oneself out of debt but to start building wealth from the first day on the job: adoption of modesty, skepticism, and optimism. The Financial Rules for New College Graduates explains that by embodying modesty, the opposite of status-seeking ostentation; skepticism, the ability to recognize scams, false promises, and the hyperbole and short-sightedness of financial media; and optimism, the belief that financial security can be yours with little to no risk, anyone can attain financial security. The early chapters address the role of interest rates, compound interest, and discounted cashflows, while the remaining chapters explore each of the most consequential personal finance choices that recent graduates will make in the first ten years of their career.

It's as easy as 1-2-3 . . . 4 Ingredients! Imagine succulent Chicken, Butternut, and Chickpea Curry with brown rice, a light, palette-cleansing Orange, and Almond Salad, and a decadent serving of warm Flourless Chocolate Cake. If this sounds like the menu for an elaborate dinner party that requires hard-to-find ingredients and endless hours in the kitchen, think again! Internationally bestselling authors Kim McCosker and Rachael Bermingham have created more than 400 quick, easy, and delicious recipes that only require four ingredients. Included are fantastic dishes for breakfast, lunch, dinner, and entertaining, as well as meals specially designed for children, including lunchbox menus. With 4 Ingredients, home chefs will learn how to: * Make weeknight family dinners simple and special. * Provide delicious, home-cooked meals and spend less money. * Cook with fewer utensils--1 teaspoon, 1 tablespoon, and 1 measuring cup! * Spend less time at the sink. Four ingredients for each dish means less cleanup! Find out what home chefs all over the world have already discovered. 4 Ingredients is perfect for the busy, budget-conscious cook!

More than 100 tasty and affordable 5-ingredient recipes for busy college students College students don't typically have a lot of time, money, or kitchen space to get fancy with their meals--which means good and cheap is the name of the game. This college cookbook makes it easy for students to prepare fresh, balanced meals for themselves on a budget, with more than 100 recipes that only take 30 minutes to throw together, and only require 5 main ingredients. Upgrade from fast food and microwave dinners with a cookbook for college students that features: 5 ingredients, 30 minutes--Learn simple and fast ways to throw together favorites like Classic French Toast, Vegan Enchiladas, Greek Pita Sandwiches, Thai Chicken Ramen, and more. Kitchen basics--Brush up on fundamental cooking skills with easy recipes for college students that include tips for everything from using knives to storing veggies. A wide variety--Most of these student-approved recipes also include 3 alternate versions to keep things interesting and accommodate every taste! Equip students with an easy, 5-ingredient cookbook that makes it fun and accessible to cook fresh food for themselves--in college and for life.

While studying food policy as a master's candidate at NYU, Leanne Brown asked a simple yet critical question: How well can a person eat on the $4 a day given by SNAP, the U.S. government's Supplemental Nutrition Assistance Program informally known as

Tiny fridge, tiny budget, big appetite--a college student's guide to eating well Early classes, final exams, and the occasional party--college students have enough on their plate without worrying about how to put food on it. The Budget-Friendly College Cookbook is your go-to guide for nutritionally navigating your college years on your own with tasty meals like BBQ Chicken French Bread Pizza and Pesto Pasta in a Mug that require minimal appliances and ingredients. Learn to cook on a very small budget, put your limited space to good use, and even avoid that notorious Freshman 15. From breakfast to desserts, many of these college cookbook recipes take less than five minutes to prepare, make use of ingredients that don't require refrigeration, and are geared toward small portions. Walk away from college with a lifetime degree in a low-cost nutritional lifestyle. Inside this college cookbook, you'll find: The minimalist kitchen--Keep room clutter to a minimum with minimal equipment, tools, and only 5 essentials spices. The thrifty gourmet--This college cookbook is full of helpful tips like using dried beans that don't go bad and "borrowing" a few ketchup packets from your local burger joint if necessary. Jazzy noodles--This college cookbook provides a number of delicious variations and tricks you can do with ramen, including Garlic Alfredo and Thai Noodle Bowls. Whether you live in a dorm or a tiny apartment, use this college cookbook to eat well on a budget.

Save time, money, and stress while serving up healthy delicious food your whole family will love. Kati Neville and Lindsay Tkacsik show you how to buy groceries in bulk, prepare easy dishes, package them in meal-sized bags, and then stock the freezer with ready-to-defrost-and-serve homemade meals. With 125 recipes that include main courses, sides, desserts, and more, Fix, Freeze, Feast is the perfect cookbook for budget-conscious shoppers, warehouse club members, and anyone who wants to put great meals on the table with less effort and expense.

"There's no other source, in print or online, that can rival the completeness or detail of this directory!"There are billions of dollars available to female undergraduate and graduate students. This money can be used to pay for tuition, fees, books, research projects, creative activities, and other educational expenses. How can you find out about these opportunities? In the past, it was next to impossible! Neither print directories nor online sources covered more than a small portion of the available funding. That's why this new edition of Directory of Financial Aids for Women is so important. Here, in just one place, you'll be able to find completely updated information on 1400 of the biggest and best scholarships, fellowships, grants, loans, awards, and other funding opportunities available specifically to support female students interested in working on an undergraduate or graduate degree.Finally, there's an answer to the #1 question asked by students: "How am I going to pay for my undergraduate or graduate degree?"The focus of Directory of Financial Aids for Women is on programs aimed at female undergraduate and graduate students. Finding money for these students has never been easier. Using this book, you can tell in seconds if an opportunity is right for you, by scanning the purpose, eligibility, money granted, duration, special features, number awarded, and deadline information. Plus, the book is organized so you can search for aid not only by educational level, but by program title, sponsoring organization, where you live, where the money can be spent,, and even deadline.Directory of Financial Aids for Women has been called "ground-breaking" (SourcesforStudents.com), a "must-have guide" (Kaplan Test Prep), "extremely useful" (Emmanuel Research Review), and "very valuable" (ARBA).

There are billions of dollars available to African American undergraduate and graduate students (from accounting to zoology). This money can be used to pay for tuition, fees, books, research projects, creative activities, and other educational expenses. How can you find out about these opportunities? In the past, it was next to impossible! Neither print directories nor online sources covered more than a small portion of the available funding. That's why this new edition of Financial Aid for African Americans is so important. Here, in just one place, you'll be able to find completely updated information on hundreds of the biggest and best scholarships, fellowships, grants, loans, awards, and other funding opportunities available specifically to support African American students interested in working on an undergraduate or graduate degree at a public, private or historically black college or university. Finally, there's an answer to the #1 question asked by African American students: "How am I going to pay for my undergraduate or graduate degree?"The focus of Financial Aid for African Americans is on portable programs aimed at undergraduate and graduate students just like you. Finding money to help you reach your academic goals has never been easier. Using this book, you can tell in seconds if an opportunity is right for you, by scanning the purpose, eligibility, money granted, duration, special features, number awarded, and deadline information. Plus, the book is organized so you can search for aid not only by educational level, but by program title, sponsoring organization, where you live, where the money can be spent, and even deadline.