Latin & Greek

"Encyclopedia of Greco-Roman Mythology" presents over 1,400 comprehensive A-Z entries of the myths and legends of ancient Greece and Rome. The entries are cross-referenced where appropriate, and an extensive bibliography is provided. Entries include Heracles and Alexander the Great, and geographical features such as the islands of the Blessed and Dardanelles. An unusual feature of this dictionary is the inclusion of astronomical data, linking the myths and legends to the celestial objects named after them. Diverse characters and events from related traditions--Greco-Egyptian, Roman-Celtic, and more--round out the volume.

Greek and Roman mythology has fascinated people for thousands of years, and its influence on cultures throughout Europe, America, North Africa, the Middle East, and elsewhere attests to the universal appeal of its stories. Encyclopedia of Greek and Roman Mythology examines the best-known figures of Greek and Roman mythology; together with the great works of classical literature that are the sources for our mythological understanding. In 365 A-to-Z entries, this encyclopedia presents ancient mythology from a literary perspective and features numerous illustrations from both ancient and modern works of fine art to show how myths have been transmitted in visual form through the ages.

This is an A-Z guide to the mythology of the classical world, covering all the principal myths, gods and goddesses, together with the personalities, places, animals, monsters, heavenly bodies and events of classical mythology. Background, historical, and archaeological information is provided. The outline accounts are supplemented by extensive quotations from the original sources, to help bring the narrative to life and show how literary traditions shaped the development of classical mythology.

Identifies the symbolic meaning of objects, people, and activities in paintings that allude to Greek and Roman myths.

Who's Who in Classical Mythology is a comprehensive dictionary of classical names that contains more than 1,200 entries detailing the origins of Greek and Roman mythological themes.

Along with the legends of the Bible and the saints, the myths of ancient Greece and Rome have provided a continuing source of inspiration for European artists. This illustrated dictionary includes the most significant figures and themes.

Comprehensive and scholarly, this well-designed and class-tested text presents Greek and Roman myths in a lively and easy-to-read manner. It features fresh translations, numerous illustrations (ancient and modern) of classical myths and legends, and commentary that emphasizes the anthropological, historical, religious, sociological, and economic contexts in which the myths were told. This book covers myths of creation, myths of fertility, myths of the Olympians, Heracles, Oedipus, Trojan War, Roman Myth, Odysseus, and more. It also introduces students to classic literary works by Homer, Hesiod, Aeschylus, Sophocles, Euripides, and Ovid. For anyone interested in learning more about the creation and modern interpretation of classical myths.

this is the history of the most vibrant characters in classical civilisation. With their vast appetites, great beauty and warlike tendencies, it's hard to resist their pull on the imagination, even though, in antiquity, the gods of Olympus were just as often seen as cruel, over-sexed, mad or just plain silly. And yet they were survivors, whose story only began with classical civilisation.

A comprehensive biographical dictionary devoted to mythological women.

Over 60 stories of women in classical mythology.

Myths reflect, reinforce, and sometimes subvert gender ideologies and so have an influence in the 'real world'. This is true in the present no less than when the Greek and Roman myths were created. The struggles to redefine gender roles and identities in our own time are inevitably reflected in our interpretations and retellings of these classical myths. Using the new lenses provided by gender studies and diverse forms of feminism, Lillian Doherty re-examines some of the major approaches to myth interpretation in the twentieth century: psychological, ritualist, 'charter', structuralist and folklorist. She also explores "popular" uses of classical mythology - from television and comic books to the evocation of goddesses in Jungian psychology.

"The Oxford Guide to Classical Mythology in the Arts" is a topically classified chronology of more than 30,000 artworks from circa 1300 to the present day that take as their theme the subjects of Greek and Roman mythology. In more than three hundred major entries, alphabetically arranged by subject, artworks are listed in chronological order, delineating the history of artistic interest in the subject, including painting,sculpture, music, dance, opera, drama, and literature over the last seven centuries.

Sixteen chapters guide the reader through all aspects of the ancient mythic tradition and its influence around the world and in later years. The articles examine the forms and uses of myth in Greek oral and written literature, from the epic poetry of 8th century BC to the mythographic catalogues of the early centuries AD. They examine the relationship between myth, art, religion and politics among the ancient Greeks and its reception and influence on later society from the Middle Ages to present day literature, feminism and cinema.

Despite the rousing stories of male heroism in battles, the Trojan War transcended the activities of its human participants. For Homer, it was the gods who conducted and accounted for what happened. In the first part of this book, the authors find in Homer's Iliad material for exploring the everyday life of the Greek gods: what their bodies were made of and how they were nourished, the organization of their society, and the sort of life they led both in Olympus and in the human world. The gods are divided in their human nature: at once a fantasized model of infinite joys and an edifying example of engagement in the world, they have loves, festivities, and quarrels. In the second part, the authors show how citizens carried on everyday relations with the gods and those who would become the Olympians, inviting them to reside with humans organized in cities. At the heart of rituals and of social life, the gods were omnipresent: in sacrifices, at meals, in political assemblies, in war, in sexuality. In brief, the authors show how the gods were indispensable to the everyday social organization of Greek cities. To set on stage a number of gods implicated in the world of human beings, the authors give precedence to the feminine over the masculine, choosing to show how such great powers as Hera and Athena wielded their sovereignty over cities, reigning over not only the activities of women but also the molding of future citizens. Equally important, the authors turn to Dionysus and follow the evolution of one of his forms, that of the phallus paraded in processions. Under this god, so attentive to all things feminine, the authors explore the typically civic ways of thinking about the relations between natural fecundity and the sexuality of daily life.

This book is a vivid account of what their gods meant to the Romans from archaic times to late antiquity, and an exploration of the rites and rituals connected with them. After an extensive introduction into the nature of classical religion, this book is divided into three main parts: religions of the family and land; religions of the city; and religions of the empire.