Women in Horror Month (WiHM) Event

A wealthy and notorious clan, the Bellefleurs live in a region not unlike the Adirondacks, in an enormous mansion on the shores of mythic Lake Noir. They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires; a mass murderer; a spiritual seeker who climbs into the mountains looking for God; a wealthy noctambulist who dies of a chicken scratch; a baby, Germaine- the heroine of the novel-and her parents, Leah and Gideon. Written with a voluptuousness and immediacy unusual even for Oates, Bellefleur is widely regarded as one of her masterworks.

From familiar fairy tales and legends – Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, vampires, werewolves – Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.

An NYRB Original Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense. Patrick McGrath’s revelatory new selection of du Maurier’s stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man’s abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier’s long career and includes surprising discoveries together with famous stories like “The Birds.” Don’t Look Now is a perfect introduction to a peerless storyteller.

A unique blending of historical analysis and bibliographic data, this volume examines the course of the voluntary association for religious purposes and analyzes the prominent primary and secondary literature in the field of voluntarism. In addition, hundreds of voluntary associations prior to 1900 in Britain, the United States, Canada, and elsewhere are listed. A reference tool for students and scholars in Western Christian thought and history, over 900 resources are classified by general, denominational, racial, and gender categories and are annotated. The first part of the volume examines the roots of voluntary thought in the Christian tradition and provides an overview of the evolution of voluntary Christian endeavor in Britain and North America. Of particular significance is the connection between churchly voluntary associations and the evangelical experience of the 19th century. Individual voluntary relationships and groups are an integral part of human socialization. This is the first bibliography and overview of individuals joining together under the banner of Christianity in order to satisfy this deep human need.

The classic supernatural thriller by an author who helped define the genre. First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers--and soon it will choose one of them to make its own. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"From the very first moment of Rebecca ("Last night I dreamt I went to Manderley again"), readers were immersed in the claustrophobic world of Maxim de Winter, his innocent child bride, and the memory of the malevolent beauty, Rebecca." "At the end of Rebecca, Manderley is burning and Maxim and Mrs. de Winter are on their way to the Continent to try to build a quiet, safe life for themselves away from the passionate, violent excesses that nearly destroyed their souls." "But could this be possible? Could the de Winters escape or did they ever return home to England to confront the past? What, for that matter, happened to the despicable housekeeper, Mrs. Danvers, and Rebecca's creepy cousin, Jack Favell?" "Susan Hill, a distinguished novelist writing at the top of her form, has imagined brilliantly, and wholly convincingly, precisely what happens after the de Winters journey back to England. Daphne du Maurier would approve; so too will innumerable readers of Rebecca, and the huge number of people who appreciate the joining of a great novelist to a wonderful story." "The original Rebecca is in many ways the first and finest example of the romantic suspense-thriller. A gigantic best-seller when first published more than fifty years ago, it was also the basis of the Alfred Hitchcock movie starring Laurence Olivier and Joan Fontaine, which won the Academy Award for Best Picture in 1940."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Sometimes, when you open the door to the past, what you confront is your destiny. Reclusive author Vida Winter, famous for her collection of twelve enchanting stories, has spent the past six decades penning a series of alternate lives for herself. Now old and ailing, she is ready to reveal the truth about her extraordinary existence and the violent and tragic past she has kept secret for so long. Calling on Margaret Lea, a young biographer troubled by her own painful history, Vida disinters the life she meant to bury for good. Margaret is mesmerized by the author's tale of gothic strangeness -- featuring the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess,a topiary garden and a devastating fire. Together, Margaret and Vida confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.